You are talking about very small, precision adjustments, you're right, you can't match those by eye. Try manually keying in those coordinates and I bet the position will still look the same. Also,...
Type: Posts; User: Jeremy Newmark
You are talking about very small, precision adjustments, you're right, you can't match those by eye. Try manually keying in those coordinates and I bet the position will still look the same. Also,...
Mark, I would just go. These types of panels and presentations at Sundance are usually open to everyone. I'm sure you'll be able to get in if you show up.
Out in theaters on Friday, go see it!
We shot this last summer with two RedOne MX's. Conformed and de-bayered to DPX with Resolve and colored on Lustre at Technicolor NY by Tim Stipan. The movie looks great, please go see it when it...
Actually, Winter's Bone was shot with the original M sensor. The first thing Michael shot on MX was Vera Farmiga's Higher Ground.
Yes, this was recently added in one of the last few builds
While you might not be able to access RC3 and RG3 in camera yet on the RedOne, you can absolutely process your RedOne footage with it in RedCine X Pro and other third party tools like Resolve, etc.
That would be amazing. But there are still a handful of things that need to happen there. You still need to properly convert to XYZ color space etc. Proper DCP creation is not a simple thing, can...
Thanks Jarred! That's another great thing about this system. As much as I lover the big Sachtler, O'Connor and Ronford Baker heads, being able to run with a smaller cheaper fluid head is a big...
http://www.redgrabs.com/up/1320423149.jpg
Jim, what kind of head is that? Is that another surprise?
Just a small correction to this, Michael McDonough shot Winter's Bone on Red M not MX. His first MX shoot was Vera Farmiga's Higher Ground.
Still nothing?
I believe what Jarred was referring to in that case was the Terradek CUBE. It does have the ability to stream h.264 and allow you to record those files with proper timecode and names while being...
I love the fact that Deanan was crafty!
Hey Michael, any closer on this yet? I know the server portion is available on your website, but any update when we'll see this pop up in the itunes store?
Anyone heard any word on this yet?
Great, thanks Michael!
Hey Michael,
Are you guys shooting for an NAB release on this? Trying to wait patiently. :closedeyes:
Hey Jarred, correct me if I'm wrong, but wasn't it mentioned at one point that there would be a CF adapter for the SSD module that would let us use our CF cards with it? Is that still the case and...
Yes, the link helps out a bunch! Thanks Jarred!
This is most likely because it's playing back at 29.97. Another option you have is to bring the files into RedCine and set the frame rate to 25 and export from there.
Hey Jarred,
Are you guys going to recommend say a good, better and best system setup for both Mac and PC?
I haven't played with BitVice, but we've done extensive testing with the CCE encoder and comparing it to our Digital Rapids hardware encoder, the CCE plug-in produces superior results. We tested just...
When you look at the price of other precise back focus tools, such as the Zeiss Sharp Max (retail $6k), you realize that the RED Null is a bargain. Not to mention the other benefits (compact, PL,...
There are a lot of variables at play here, and as with any workflow, it can be done a handful of different ways. Going from the RAW R3D file to DPX will certainly cause loss of information. You are...