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Type: Posts; User: Marc Wielage

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  1. Well, you're stating all those things as facts....

    Well, you're stating all those things as facts. The reality is that it's just an opinion.

    We're fine with sticking with Macs for 99% of our work, and it's not a problem for us. I always say: if...
  2. That's a beautiful show. We just watched Episode...

    That's a beautiful show. We just watched Episode #4 last night -- the one set in Mexico City -- and they did some pretty amazing crane shots in the hotel lobby, which I suspect could have been...
  3. Anybody remember when actor Paul Walker died in...

    Anybody remember when actor Paul Walker died in the middle of shooting Fast & Furious 7? It cost the production about $35 million dollars (that's $35 with six zeros after it) to do all the CGI...
  4. I think complaining about it on a Red Camera user...

    I think complaining about it on a Red Camera user group is not very effective. Have you posted this to the BMD Camera Forum?
  5. Quite a bit of the film will be live action with...

    Quite a bit of the film will be live action with real sets, and some will be live-action with CGI set. CGI people are not quite there yet. No doubt the alien creatures will be CGI. I think like the...
  6. This website has some of that information: ...

    This website has some of that information:

    https://shotonwhat.com/

    I think it's fair to say that it's more about who shot the movie (that is, what cinematographer did the work) than what camera...
  7. Jesus, what a horrible story. You kind of wish...

    Jesus, what a horrible story. You kind of wish that Red had a secret code they could just blast out through Wi-Fi or something and brick the camera.
  8. Producer Ryan Murphy's previous production,...

    Producer Ryan Murphy's previous production, Hollywood, was shot on Sony Venice by cinematographer Simon Dennis. The colorist was Tanner Buschman over at MTI Film/Hollywood.

    Simon Dennis and Nelson...
  9. I just finished a 3-week supervised feature...

    I just finished a 3-week supervised feature session with the director in the room last month, and it was fine. The COVID masks were annoying, but it was his preference was to be there and personally...
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    We're not seeing that problem in the LG OLED's....

    We're not seeing that problem in the LG OLED's. We do see problems in near-black and fade-to-black situations where the image gets very blocky and quantized (and that's a 10-bit image in 10-bit...
  11. My old friend Nikolai Waldman of Waldman Media is...

    My old friend Nikolai Waldman of Waldman Media is in Göteborg, Sweden and does superb work, including various networks and studios in that country and others in Europe. You can reach him here:
    ...
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    I think if Jim Jannard was willing to cooperate...

    I think if Jim Jannard was willing to cooperate with it, somebody could do a very good 2-hour documentary on the Red Camera company.
  13. If you have to ask... you can't afford them....

    If you have to ask... you can't afford them. :eek6:

    The fact that they're all T2.8 is pretty amazing.
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    I think you'd be wise to record sound only on a...

    I think you'd be wise to record sound only on a separate audio recorder, and only use the sound in the camera as a backup. That's very, very standard practice on scripted projects. I get that on...
  15. I don't think it's an all or nothing, and I don't...

    I don't think it's an all or nothing, and I don't think making hasty generalizations helps your argument.

    The process doesn't work with the way I do sessions, but I think their matching tool is...
  16. We generally tell clients to shoot an actual...

    We generally tell clients to shoot an actual physical printed framing chart on set, and then keep that around as a reference during editing and final color so that we know it's being framed...
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    The LG OLED's are great, provided you get them...

    The LG OLED's are great, provided you get them calibrated.
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    Neat Video can do miracles, but sometimes I find...

    Neat Video can do miracles, but sometimes I find only one channel of the image is really noisy, and I'll often go in with Resolve and use a RGB splitter note to just attack the Blue-channel noise...
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    Given that 24fps is kind of the default fps speed...

    Given that 24fps is kind of the default fps speed for many cameras, what if you just shot at 25fps and used that as your base speed in 25Hz countries (like Europe, Asia, Africa, and so on)? 25fps is...
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    We have a PostgreSQL database server on a Mac...

    We have a PostgreSQL database server on a Mac Mini with a 2TB spinning internal drive. That's networked to several Resolve systems in the office to share projects.

    Each Resolve system has a 4TB...
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    A better place to ask questions about pro audio...

    A better place to ask questions about pro audio gear (like loudspeakers) is the Gearslutz Forum:

    https://www.gearslutz.com/board

    Lots of opinions on different pro audio speakers there. This is...
  22. I'm not getting how it's better than Tentacle...

    I'm not getting how it's better than Tentacle sync, or a Denecke jam box, or an Aaton lockbox. You can get those for a few hundred dollars apiece and it will work anywhere, even in a room with a...
  23. Man, I can barely get a good signal from DirecTV....

    Man, I can barely get a good signal from DirecTV. What happens if you're in a location without a southwest exposure? What if there's a roof? I dunno, I only see a lot of problems and technical...
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    I agree with Blair above. We generally tell our...

    I agree with Blair above. We generally tell our clients, "get your delivery specs from your distributor, figure out where you need to end up, and that dictates the workflow to get you there."
    ...
  25. Can't you just take the 4K files and bring them...

    Can't you just take the 4K files and bring them into an HD timeline and cut that way? You can independently monitor in HD from a 4K session in Resolve, but I'm honestly not sure about Premiere.

    ...
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