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So to be absolutely sure I read this correct - If you used the HDMI port on build 3.3.15 it could cause dropped frames on the RAW files recorded on the RED MAG SSD?

David,

Do you by any chance know which brand of anamorphic lenses Kurusawa used for the screen shots you posted?

Happy ending for James and RED... only on REDuser:)

I think you should contact RED... I have never seen anything like that:(

looks great - I am just wondering why there is no 1080 25p?

HI Paolo,

I am not familiar with any films being graded in Photoshop, so maybe the examples you are referring to (however right they may be), are not so relevant in this case.

The only relevant...

Pablo,

Nick explained it perfectly in an earlier post. - we would like to use the full dynamic range, so we grade from that, beneath the rec709 LUT. and the way to that is to grade from RLF and...

Well Arri LUTs are "correct" in terms of it is official from Arri and most here in Scandinavia at least, use the Arri LUT because it matches what the DP' see on set and expose after....

Its all...

I would very much like a longer focus throw... thats the only reason I didn't buy the otherwise fantastic Duclos mod.... any chance of a longer throw Matthew?

Nick I am already a happy customer of yours and have had post houses buy your LUT for use on my films - BUT if there is not correct log to video LUT - why A: does Arri and sony have one B: why...

I would very much like an official white paper from RED about working w RedlogFilm in a professional environment, meaning where you have several post houses collaborating, and using
official LUTS...

how much are the summicron pr lens?

Dear Red,

Even though your high end and extremely talented post friends in LA prob. make their own super duper LUTS for RedLogFilm and dont need help from you guys...

AS a DP it is almost...

I also own a perfect set of Kowa's and I just want to add to the noise - Anamorphic looove in a harsh digital world, makes so much sense.

David,

just to be sure I understand - which had the highest level of detail - the F65 or Alexa/35mm?

I remember a vfx friend of mine telling me to go check out a camera called red - going to the website and all it said was, something like:

HD/film is dead. 4k is the future... and a size...

PM sent

Jason,

I am looking for another card, but I hope its ok if I ask - how do you get in contact with Dave, from macvidcards?

16bit to 10bit DPX when you shoot Epic.... its a good question.

Jeff,

is there any way to put a gtx690 in mac pro?

What t-stop did you shoot with? they surprisingly sharp is this is fully open.

do they change color when you change the f-stop?

I thought the 680 drew more power than the Mac pro's could deliver?

keep this thread alive.

I am looking into building a resolve system too, though the thought of building a PC, gives me a cold sweat, been on mac for 10years now...

So step by step & piece by...

thinking the same or the SDI signal somehow tweaked by a look setting or something.

The only time I thought something similar had happened, was after an evening shoot. Came home and everything...