Tomorow's world

[Michael Schrengohst]

On cinematography.net
-Full resolution HD non-compressed - Arri D20 - Viper - F950 - Dalsa Origin - Panavision Genesis-

Interesting post: here is the last line:

"Tomorow's world will be different. Some companies even claim to offer 17500 dollar 4K cameras which will be better than anything we've seen before...
We'll be ready!"

[Mike the beginner]

On cinematography.net
-Full resolution HD non-compressed - Arri D20 - Viper - F950 - Dalsa Origin - Panavision Genesis-

Interesting post: here is the last line:

"Tomorow's world will be different. Some companies even claim to offer 17500 dollar 4K cameras which will be better than anything we've seen before...
We'll be ready!"

I hope we get a camparison between all the big cameras and red. very soon after NAB, or before if it is ready. Remember what happened the last time, when the red was still in frankie mode!

Red came out at around nine stops i think, which kinda was disappointing. However Graeme had improved whatever was wrong and he got another stop.

For some this will be the final icing on the cake for red one.

I know many of us are hoping that red will hit that sweet 11 stops

Mike the beginner

[Graeme Nattress]

Measuring "stops" is neither easy, nor rigorous. You should measure all cameras under the very same conditions with a manufacturer approved set of settings. To me, that test should be a single shot of a test wedge. A backlit test wedge can show > 13 stops, and gives you all the info you need in one shot. Doing it over multiple shots makes room for error, and in the blacks, where the noise is, that error can make a big difference in the results. And, after all, what we're interested in is how dark and how bright in one shot, not over multiple frames.

Graeme

[Gavin Greenwalt]

Hehe, I could deliver an almost infinite number of stops temporally.