So I bought Gluetools....

[Noah Kadner]

Sweet- you can actually see that live!

http://www.wien.gv.at/english/webcam...park/index.htm

Noah

[Sanjin Jukic]

Sweet- you can actually see that live!

http://www.wien.gv.at/english/webcam...park/index.htm

Noah

Even "sculpted girls" around monument are getting crazy about JS.

In a real world girls in the park keeping eye on a guy with RED camera that has also JS initials :) .

[Marcus Struzina]

Hi
Just about to purchase Gluetools too , I'm still having the 24/25 fps timecode problem with dpx files out of Redcine ( 25fps files coming out with 24fps timecode ), can anyone confirm if you can use gluetools to duplicate the dpx files with the correct timecode ? Actually Gunleik have you worked out a solution for this by any chance ?

Thanks Marcus


www.belladonnathemovie.com

[Noah Kadner]

Hi
Just about to purchase Gluetools too , I'm still having the 24/25 fps timecode problem with dpx files out of Redcine ( 25fps files coming out with 24fps timecode ), can anyone confirm if you can use gluetools to duplicate the dpx files with the correct timecode ? Actually Gunleik have you worked out a solution for this by any chance ?

Thanks Marcus


www.belladonnathemovie.com

Try the demo and you can see for yourself it's free up front....

Noah

[Nick Shaw]

Try the demo and you can see for yourself it's free up front....

Noah

Unfortunately timecode is one of the things that is not enabled in the demo version.

I have not yet had any success with getting Redcine to write correct 25 fps timecode into DPX headers, but I spoke to somebody from Assimilate at NAB, and he said they were aware of the problem and the reasons for it. So let's hope it will be sorted soon.

[Matt Gottshalk]

The Aja boys were talking to the Gluetools dude when I was at his booth.

Stay tuned....

[Noah Kadner]

Unfortunately timecode is one of the things that is not enabled in the demo version.

I have not yet had any success with getting Redcine to write correct 25 fps timecode into DPX headers, but I spoke to somebody from Assimilate at NAB, and he said they were aware of the problem and the reasons for it. So let's hope it will be sorted soon.

I'll ask the developer about that and get back to you...

Noah

[Gunleik Groven]

I can't really say much about TC issues and such yet, but I did a quick test tonight, just a small clip.

The bad: I went a bit ape in color (it was so fun) and some very strange rendering issues in color (that trashing the preferences got rid of btw.

There're also some serious gamma issues I'll have to learn how to compensate for...

I will also have to run through all my RED-test clips once more.... Guys, this is the real dope. The AJA wrapper is not the same thing. It's almost as addictive as RED itself. I guess there are bugs and hazzles, but you'll never look back.

the stupidfun test:
here
http://byacserv.com/vulture/elnaz_01.mov

Don't take it as a grading or aestetic example. It's not. It's more like porn, or overplaying a new toy, because this was like getting COLOR all over. On stereoids...

Thanks Noah!

Gunleik

[Robert Monaghan]

I'll ask the developer about that and get back to you...

Noah

Hi Noah,

yes, you can override the frame rate and timecode of the incoming frames. ie: if the frames are 25 fps, but have 24fps in the header, my software will let you export a duplicate set, with 25 (or any other frame rate) in the header.

bob.

[Miguel "Macgregor" De Olaso]

Why do i want to use the timecode embeded in the DPX if i have started capturing as digital files in the first place? WHat help can a timecode give me here?