Jim's words:
"...We expect Adobe support fairly soon..."![]()
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Jim's words:
"...We expect Adobe support fairly soon..."![]()
You're just naive that Adobe can give you what you want :) ,
don't follow 'Kusta's' way anyway,
(not even Maradona's Church like hand of God approach) can help you :) :) :) .


Why do you say that?
Adobe works with many hardware and software developers to create solutions. Red workflow I have heard from other forums is on thier list of things to get to. they have suported every highend codec and workflow to this point. they did with Aftereffects forthe longest time, and now for thier Dynamic link aproach they support ingest formats with PProCS3.
I hope I am not wrong about Adobe's interest in supporting this new technology.
please explain what you mean
I expect that we will see some pretty amazing things from a RED / Adobe pairing in the near future. The level of integration across the Adobe products and the fact that Adobe is cross platform makes for a very compelling argument. The inclusion of fully (or mostly) integrated support for RED source files would considerably increase the value of both products.
Fingers crossed over here!
and just think about the possibilities of leveraging their current product line and technologies to the RAW moving image.
I would love to see Red participate in the Adobe RAW initiative... maybe even have the Red One record directly to the Adobe RAW standard as an option in addition to Redcode.
This would be down the road, but it would be nice.
-Thor
Yep, we need adobe to support CinemaDNG (their raw workflow). I would keep putting in feature requests so that adobe knows we want it. We also need to make sure RED knows we're interested.
I'd be happy with the release of the SDK.. there are solutions out there that are ready in hours, not days.
Jay
I'm not certain that RED could write to CinemaDNG. I'm suspicious that they're using more purpose built hardware on the encoding end and trying to cram a DNG codec through it would be predicated on the assumption that RED is using a generic DSP.
I could be wrong but I think that recording to Cineform codec or the proposed new standard directly from the camera would only be possible if Red were to make available the RAW port.
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