Quote Originally Posted by M Most View Post
Usually I agree with Dermot, but on this one I have to disagree a bit. ACES has some known issues with highly saturated blues and magentas that lead to chroma clipping and unpredictable results, particularly with Red footage that exhibits those characteristics. Graeme has done an excellent job with the RWG/Log3G10 space, and in every instance that I've been involved with in which chroma clipped in every other available colorspace - including ACEScc and ACEScct - it did not in the IPP2 space. So at least with Red footage, I have to say that based on my experience, the IPP2 color space is currently the best approach. ACEScct generally works well, but not necessarily with more extreme production design or lighting.
Super helpful. thanks