Thread: My wish list...

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  1. #21  
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    SMALL PICTURE NUTS AND BOLTS WISH LIST FOR DSMC

    1. Have sensor chip mounted on symmetrical frame perhaps made of a nickel alloy similar to Invar. This is to mitigate thermal movements in X,Y and Z. (very important for precision work).

    2. Provide plenty of surfaces to bolt onto. We need rigid mounting so we can maintain 3 arc second precision in 6DOF. Not even industrial cameras adequately provide for this.

    3. Removable chassis. The enables further 3rd party engineering. It takes a lot balls to put leaf digital camera back into a CNC vice and start cutting!

    4. Narrow form factor, this makes it easier to get good close up stereo shots such as peoples faces. Interaxial separation of 8cm between two camera would be nice.

    5. Sensor size probably not to be larger than 35 by 48 mm, as this will include the largest number of possible lenses (at least from our point of view). The new leaf 56MP backs are approaching 60x60 mm formats, which leaves one reaching for older lenses.

    6. At least if the system physically breaks down to an open sensor, like a digital back then people have the option if the want to go range finder and use Biogon/Scneider/Rodenstock wide angle low distortion lenses, or if they want a mirror box/prism that can be bolted on and folks can use their distagon type primes i.e. Hasselblad (depending on provided shutter mechanisms), Mamiya etc.

    7. For FX and other works such as 3d, would nice to make sure the system can be mounted on rail system so one can pull focus, and use the same type of filters and matte boxes that the cinematographers are using on set, so that it is possible to match color and contrast for special process shots.

    8. For special process work 2d or 3d (as you know) when you have 4K final output, in my opinion it is absolutely necessary to have a higher resolution acquisition system so that in the final composite you don't get artifacts that manifest themselves as textural differences as a result of under-sampling. A 48MP sensor would be very nice (indeed)

    9. Simple methods to easily synchronize (time wise) to the pixel, multiple cameras from two to 10, enable complete remote control so the action of physically pushing buttons on the camera does not upset precision adjustments.

    I know, its a rather greedy wish list,

    Ta.
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  2. #22 My wish list: 
    1. As good as the camera will probably be, please don't understimate the importance of a full, compatible flash system. Wireless flash - or the ability to work with existing systems from Canon or Nikon - is a must for the working style of many stills photographers/photojournalists. "Radiopoppers" are the coolest new gadget to appear for a long time, see www.radiopoppers.com. Radiopoppers are added onto Canon or Nikon flash units for reliable wireless flash. With radiopoppers you can shoot high-speed flash sync at 1/8000 of a second at f 2.8 for shallow depth of field and underexpose the blue sky in the background. I would love to have a radio-controllable remote flash system with high-speed capability built-in which is compatible with high-voltage external batteries like the LumeDyne TinyCycler, Quantum Turbo batteries or similar for a fast flash lighting setup, strobist-style. (see strobist.com for more on compact location flash lighting)

    2. Compatibility with Photoshop Lightroom/Photoshop. I suppose DNG raw format is out of the question because RED is supposed to use some clever, proprietary RAW format(?), but I like the idea of an open RAW format, and don't like the idea of yet another RAW convertor tool. Lightroom is well on it's way to become a complete all-in-one workflow tool which is hard to beat.

    3. Full frame for nice, shallow depth of field.

    4. A real, videocam-style tilt/swivelable monitor for low-level shots etc. with proper live view without sacrificing a 100% viewfinder and exchangeable focusing screens (I don't like EVF's.)

    5. Autofocus to rival that of Canon and Nikon, with full-time manual focusing on lenses.

    6. Selectable RAW format sizes. As someone pointed out earlier on, the megapixel race has gotten to a point where the file size is often larger than needed, just creating processing/storage problems. Would be nice to be able to select from S, M, and L size RAW files.

    7. Modular approach, so you can optionally configure the camera to be a low-profile lightweight travel/stealth-cam like a Leica or a fast machine with vertical grip, wifi etc.

    8. GPS for geotagging (or at least a Nikon-style plug for GPS accessory)
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  3. #23  
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    Quote Originally Posted by mbrakes View Post
    1. "Radiopoppers" are the coolest new gadget to appear for a long time, see www.radiopoppers.com. Radiopoppers are added onto Canon or Nikon flash units for reliable wireless flash. With radiopoppers you can shoot high-speed flash sync at 1/8000 of a second at f 2.8 for shallow depth of field and underexpose the blue sky in the background.accessory)

    Very cool, thanks for the link, looks very useful for our type of applications.

    Cheers.
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  4. #24  
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    1. Big bright optical viewfinder

    2. Flash exposure lock

    3. Weather seals

    4. Full-frame 4/3

    5. Image stabilized body

    6. Flawless auto focus
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  5. #25  
    Senior Member Patrick Tresch's Avatar
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    Make it silent! :)

    Patrick
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  6. #26  
    Junior Member Aaron G.'s Avatar
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    I think it would be awesome if you had a modular camera, with a removable display panel (like the epic)... BUT, there are 2 panels, one has a feature set for Photo's, and one for Cinema. And keep limited features for the opposing panel (so if I'm shooting Cinema, and want to take a great quick still, I still can). Make sense?

    Think of it as something like this: http://line6.com/store/hardware.html?familyID=41

    This is a guitar pedal, but is the best explanation of what I'm talking about.
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  7. #27  
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    Quote Originally Posted by KnockOutFilms View Post
    make it as small as possible!!!!
    NO!!!!!!!!!!!!

    PLEASE NO!!!!!!!!!!!!!

    BIG AND HEAVY, AT *LEAST* AS BIG AND HEAVY AS EOS 30D....
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  8. #28  
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    Okay, now that I've bemoaned the drive toward impossibly small and useless devices...

    1. Big and heavy, like pro grade DSLRs.

    2. OPTICAL VIEWFINDER.

    (Let me stress the importance of this one...)

    OPTICAL VIEWFINDER.

    3. Universal lens mount would be nice -- take off Canon EF lens and attach Nikon lens to same mount?

    4. Native DNG raw format for stills, R3D for movie footage.
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  9. #29  
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    Here is my wish list for the perfect DSLR

    Full 35 mm frame

    compatible with Nikon and Canon glass

    40 to 50 megapixels

    live shoot (Meaning you can see on lcd what you are shooting)

    full information available on the lcd to display like histograms etc.

    raw shooting with multiple flash card at least two son one is full the other one is use (giving some sound warning the first card is full)

    optical viewfinder also.

    wifi transmition

    remote control via wifi and bluetooth

    wireless remote control of flash via bluetooth

    sensor very sensitive for about 50 ISO.

    dark frame correction.

    anti - shake movement correction On camera.

    sound recording in camera

    gps coordinates device on camera.

    usb connection

    direct shooting to computer and direct computer control with some app on the computer

    remote computer control and shooting via wifi.

    not use of mechanical parts like curtains etc I guess if there is optical viefinder you will still need a mirror to go up and down in that case it will be better not to have the optical viewfinder if there is a very good big lcd screen.

    sensitivity range at least from 50 to 64000 ISO

    almost no noise at 64000

    14 to 16 bit color preferably 16 bit color but if totally perfect make it 32 bit color! That will be incredible!

    possibly able to get hi def video from it.
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  10. #30  
    Three sensors (or four), all MF Full frame. RGB or CYMK ?

    Might make it a bit large...... Gets rid of a Bayer Algorithym, adds a RED one.

    ......
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