
Originally Posted by
jake blackstone
Everyone is pointing out to a higher brightness levels of 1600 nits monitors as a big advantage, but fact of the matter, as of TODAY, DolbyVision mastering is only done for either 1000 or 4000 nits. Yes, sometimes clients may ask for another pass at 600 nits for the ever popular LG OLED monitors. What that means, technically speaking, if you you are mastering for DolbyVision on a 1600 nits monitor, highlights on a proper mastering 1000 nits monitor will look wrong- they will be clipped. Inversely, watching a properly tone mapped 1000 nits DolbyVision material on a 1600 nits monitor will result in a dark highlights.