I am exporting dpx's and I tried what someone explained about exporting from REDCINE with color temperature of 5500 and correcting afterwards in premiere since it was shot with tungsten.
The result has significantly less noise in the blue channel. I will post the example later.
1)Doesn't that mean there's something wrong in Redcine's temp correction algorithm?
2)You're grading dpx seq's in Premiere? For filmout? Can you say more about this? What tools/plugins, Color Finesse or native? How are you monitoring?