R3D OCTOB3R
Best of breed solutions for a complete RED workflow.
RED - DIGITAL VISION - AVID
“We evaluated all the latest and greatest red support from various vendors and the Film Cutter really impressed us in our longform editorial needs. The conform features combined with the fact that you can just drag and drop R3D files onto the timeline is a massive timesaver and excellent for a Red project”.
Matt "Wispy" Clarke Head of Editorial - The Mill
During the entire month of October, we invite you to join us for private in-depth demo sessions at our offices in;
London (13th to 17th),
Stockholm (22nd to 23rd) and
Los Angeles (22nd to 23rd)
to learn how Digital Vision can provide you with the complete postproduction solution for all your RED R3D projects.
The challenges facing R3D postproduction include metadata management, generation of versions for editorial, online conforming, image enhancement and grading. We shall cover all these areas from dailies to final master and provide expert advice on how to optimise your workflow, maximise your creativity and deliver the best pictures possible in the most efficient way.
The demonstration will feature how our latest Film Master software, version 3.6, in conjunction with the latest Avid Media Composer Nitris DX, provides R3D media the perfect post production complement for editorial, grading and image enhancement and produces the highest quality deliverables at any resolution up to and including 4K.
The workshop sessions are on the hour, every hour throughout the day starting at 10a.m.
If you wish to book a slot please call:
UK: Estelle Holland on +44 020 7734 8282 or Gregory Holland on +44 07734 414 638.
Sweden: Ulrika Liiv on +46 8 546 182 00 or Per Essehorn on +46 733 678 221
U.S.A: Alexa Chollet on +1 818 769 8111 or Schel Kuehnert on +1 310 413 1716
More than sixty feature films have been acquired with the RED camera with a significant number conformed and graded on Film Master. Our systems are now an integral part of the new Digital Lab at The Mill.
Originally Posted by gbalaji
