OK guys... I dig this product a lot... but I'm trying to understand how it will fit into our current work flow. We currently shoot commercials on 35MM... we dislike Hi-Def. So once, the shoot is finished, the film is sent to Duart to be processed. As the editor, I then go to NYC, get the developed stock, take it to Riot, get it color corrected and then dump it off to DVCPro50. I know some of you hi-end folks just winced, but for our small shop in Hartford, and with all the TV stations wanting BETA SP final masters, that's how we currently do it.
So if Red replaced the 35MM camera in this scenario, how would my work flow change? Actually... what the heck would the work flow be period? I would presume our DP would initially want to shoot 2K, 24P... I presume he could do that? If so, how many MB/GB per second/minute would that format eat up?
We edit with Avid Media Composer Adrenaline, v. 2.7 on a MAC.
Thanks for the helping the newbie,