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  1. #1 24p on interlaced monitor ! 
    I have a PANASONIC BT-LH1700WP monitor and I donīt know whatīs the best setting to monitor when shooting 24p. Does anybody have this monitor ?It displays at 1080/60i. Apparently, I can not swith to a progressive display, unless you use a GPI-D-SUB, 9 pins or RS-232C: D-SUB, 9 pins remote unit for external control. I donīt know what the hell is that, and the manual is useless. Anyhow, Iīm a bit confused here. If you shoot 24p, should you monitor the signal in progressive mode too ?....What does it do to the input signal if the diaplay mode is interlaced ?...what difference does it do the frequency or refresh rate ?....
    how sould you set your monitor in relation to the camera settings, concerning frame rate, refresh rate, shutter speed, monitor frequency ?

    Whatīs the relation between recording frame rate, display frame rate and refresh rate ?...how do the conversions between them work ?

    What settigns should you set in your MAC en every case ?...Do you hace to change your settings everytime according to your shooting parameters, or there is a standard set of values for setting your monitor and MAC to work properly ?

    Iīve read a lot of this stuff but itīs a bit overwhelming !
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  2. #2  
    Senior Member Charles Angus's Avatar
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    I've used that monitor with the HDX-900 shooting 24 on 60, and it worked fine. I suppose the monitor would probably just add 2:3 pulldown if the camera can't. Is it possible to output 24 on 60 (ie. with 2:3 pulldown already put in)?

    Also, I assume you mean 23.976p, not 24p. 24p can't be monitored on standard NTSC playback devices, from what I know.
    Charles Angus Taylor
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  3. #3  
    Umm.... The BT-LH1700WP is an LCD display and is progressive, not interlaced.

    How are you connecting to the monitor? With what hardware?
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  4. #4  
    Iīm monitoring the shooting connecting the camera directly to the monitor thought the SD-HD camera output.
    The camera is shooting 24p, but the monitor is displaying 1080/60 on the screen (what does this mean ?)....The SYSTEM-MONITOR-SD/HD is set to 60Hz
    Is this ok ?....what am doing wrong ?..whatīs the effects of these camera/monitor parameters...Now Iīm more confused !
    thanks
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  5. #5  
    The camera only outputs NTSC (59.97Hz "60Hz") or PAL (50Hz) via HD-SDI. So even if you are shooting in 24fps, output is still over a 50/60Hz signal.

    Camera can only output 1080p for playback, not while recording at this time. During recording, output is 720p.

    The Panasonic monitor does not accept a 1080p input signal. You need to set your camera output modes to 720p for use with the Panasonic monitor. What could be happening is that the monitor is being fed a 1080p signal, and it can't understand it. It's trying to display it as 1080i, but obviously can't do this.
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  6. #6  
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    Do you have an image on the screen? If so then do nothing, it is woring fine. The default setting for the video standard feeding to the camera via HD-SDI is "Auto," which means that the monitor will automatically detect what type of signal is being fed to it and adjust accordingly.

    If it works, then it is working at its best.
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  7. #7  
    Senior Member Adam Glick's Avatar
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    Does your gear support 24PsF mode ?

    This will essentially allow a non24p-compliant monitor (or other video I/O device) to display a 24P signal using a "48i" interlaced mode -

    This PsF mode is supported by many 60i compliant devices
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  8. #8  
    ...But the RED One does not support PsF or output any sort of interlaced signal. He is attempting to connect the monitor directly to his RED One. All he can do is set the camera output to 720p PAL/NTSC and connect the 720p out on the camera to the HD-SDI input on the Panasonic. If it works, then it works. If not, he has a problem.
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  9.   Click here to go to the next RED TEAM post in this thread.
  #9 RED ONE monitoring output. 
    Red Team Stuart English's Avatar
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    According to the Panasonic Broadcast web site that monitor supports 720p/50, 720p/59.94, 1080p/23.98, 1080p/24.00, 1080p/25 and 1080p/29.97 in progressive (i.e not PsF) mode.

    These are the same frame rates and resolutions available from the RED-ONE.


    p.s 720p is NOT a PAL or an NTSC signal (just to keep our nomenclature correct)
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  10. #10  
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    Stuart but even the Blackmagic HDLink Pro accept 720p 59..94...But it does not work with the RED SDI signal...

    Having the RED at 24fps the HDLINK Pro works quite well (1 drop of signal every minute) , having the RED at 23.98 , signal unstable and unusable..

    They told me that the signal out from RED is a bit out SMPTE ... But i know that the SDI out From RED works perfectly with Aja SDI in...


    G
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