Have you guys heard of Drobo?
http://www.drobo.com/products_demo.aspx
Sounds pretty cool, except for the USB interface.
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Have you guys heard of Drobo?
http://www.drobo.com/products_demo.aspx
Sounds pretty cool, except for the USB interface.
Looks interesting. No mention of speed though. Also prints in small letters that for over 2 TB you'll get a second volume. I'm wondering if they need USB to do the dynamic resizing of a volume thing.
I have a La Cie bigger disk and it fails at me from time to time. The drive just dissapears from the system and you have to restart the unit to make it come back. The eSata enclosure would be an interesting option. Does it have hardware RAID support?
RED DRIVE are set up in RAID 0 mode, so it is quite risky. I will copy on set the data from the RED DRIVE to a dual Hard drives RAID 1 system and then take out each drives of the enclosure to sent on to the edit suite, and keeping one as backup.
I think CallDigit has nice product, and not more expensive than RED DRIVE.
antoine.
I was chatting with g-tech guys at NAB and their new G-SPEED eS, is up to 4TB, eSATA and apparently able to make 2 copies of the footage at the same time (RAID 0+1, 2 copies spletted in 2 drives each one).
It's the best solution I found at NAB for field back-up.
We've just to convince them to make a ruggerized version!
Carlo
This RAID system sounds very interesting. It's SATA based and comes with a PCI-Express RAID adapter. They advertise especially for HD editing. Check it out:
http://www.sonnettech.com/product/fusiond800raid.html
I'm giving up on lacie and going g-tech from now on.
Each to their own of course, but I think one can be ott about data backup on set etc (Just because you can..). You can't backup film on-set, most people filming EFG capture onto tape then put the tapes in the hotel safe and backup when they get back to base.
So why should RED be different?
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