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  1. #21  
    Think that is extremely useful. But I will wait until there is an offer over here in EU.

    All the best,

    Fritz

    www.blueandgreen.info
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  2. #22  
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    I'm looking forward to seeing more details! Definitely interested, especially if it can be up and running by the end of the summer!
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  3. #23  
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    Awesome. I hope someday I can attend.
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  4. #24  
    Senior Member Craig Ryan's Avatar
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    This sounds great!

    Now is this going to be something that caters to a wide spectrum of experience? Would a film student with limited set and post experience get much from the program, and likewise, would someone who's already worked on a lot of RED projects get as much from it? Is this going to be done in large lecture based scenarios or more small group, hands on lessons?

    Looking forward to hearing more about the curriculum and dates.
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  5. #25  
    Ted,

    It is great to see that you guys are formalizing what many of us have been doing since the onset of RED with clients, students, industry professionals, other owners, post houses, producers, colleagues, associations, trade unions and media.

    If you need any support in the Toronto area you can lean on me.

    I hope it's a huge success.

    Thanks,
    David
    "A revolution is not a bed of roses.
    A revolution is a struggle between the future and the past." – Fidel Castro
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  6. #26  
    Happy to help on the Adobe front in terms of Post Ted if needed..
    Obin Olson
    Director - Editor - DP
    www.the-forgery.com
    www.nevermorethefilm.com
    www.fatalflawmovie.com
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    'These Red Guys - like nothing I have ever seen!'
    Assimilate Scratch, it's like working in the future, right now. ( no they did not pay me to say that)
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  7. #27  
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    Quote Originally Posted by obin View Post
    Happy to help on the Adobe front in terms of Post Ted if needed..
    Plus round trip?
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  8. #28  
    Senior Member Paul Leeming's Avatar
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    My only concern with this kind of project is that clients may think that without such a qualification one is not skilled in using Red cameras.

    This couldn't be further from the truth as most of us here have been using them every day for over a year now and are well versed in every facet of operation.

    Thoughts?

    Paul
    Paul Leeming
    Writer/Director/Cinematographer/Stereographer
    Visceral Psyche Films

    www.visceralpsyche.com

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    Epic-X #135 (soon to be Epic DRAGON)

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  9. #29  
    I hope it's a LOT better than Red Day.
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    Florian Stadler, D.P., L.A.
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  10. #30  
    Quote Originally Posted by Paul Leeming View Post
    My only concern with this kind of project is that clients may think that without such a qualification one is not skilled in using Red cameras.

    This couldn't be further from the truth as most of us here have been using them every day for over a year now and are well versed in every facet of operation.

    Thoughts?

    Paul
    Paul,
    I think the main concern is insurance. Most larger productions want the assurance that the data is being handled properly and there are qualified people around to take care of any issues that arise.

    MOre than anything it will just be important to demonstrate your confidence and knowledge with the process.

    We all know a piece of paper only goes so far.

    David
    "A revolution is not a bed of roses.
    A revolution is a struggle between the future and the past." – Fidel Castro
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