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  1. #151  
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    Wonderful video, Mark. Thanks for sharing.

    Question from a lighting newbie- was this all natural light?
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  2. #152  
    Quote Originally Posted by Ryan S View Post

    Question from a lighting newbie- was this all natural light?
    yeah - 100% available light.
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  3. #153  
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    Quote Originally Posted by Mark L. Pederson View Post
    yeah - 100% available light.
    Lovely. Can't wait to see more.
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  4. #154  
    Senior Member Sanjin Jukic's Avatar
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    Quote Originally Posted by Sanjin Jukic View Post
    It's a time for a footage, please... with a girl, boots and lens set, box or whatever,
    Soho - South of Houston - Downtown - New York City, penthouse, roof,...!!!!!!!!!!!!!!!!!!!!!!!!!
    Quote Originally Posted by Mark L. Pederson View Post
    Mark,

    thanks a lot!

    Absolutely fantastic!

    Amazing!!!!!!!!!!!

    All is very beautiful: a girl :head_explode:, footage :head_explode:, lenses :head_explode:, lighting, grading, locations, rendering, boots, H264 compression, dresses, editing, hair, eyes, smile, jeans,...etc...

    It's a bit remind me on time when I was in SoHo NYC about 9 years ago.

    I lived there in a close neighborhood or around the corner of that block from where are today

    Offhollywood headquarters: 580 Broadway, New York, NY 10012>>>

    My address was at 132 Crosby St., NY 10012>>>

    that is the next street parallel to Broadway at direction to East Houston St.

    After some digging in my tape archive I found a little documentary footage that I shot on Sony HandyCam and tell you more how was there about nine years ago: LINK>>>

    One more thing:

    RED Pro Primes are probably the best valued cine lenses for the price and performance at the market today, no doubts.

    But I'm still using "dogs" especially for handheld and here is the latest shot from yesterday: LINK>>>
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan
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  5. #155  
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    I enjoyed the video as well. Now if you could just edit out those brief moments of looking at those pesky lenses then it would be perfect.
    Mitch Gross
    Director of Communications
    Convergent-Design
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