I just got to thinking.
In a not terribly distant future where digital sensors outclass film in dynamic range and color gamut Kodak will still have a huge advantage in experience. People like the look of the film.
I wonder if there will be a market for Vision2, Vision3 conversion software. Like Tiffin OFX filters.
Input boring linear light files. Get out Vision2 response files. The largest challenge would be for the camera manufacturer to ensure they output a very predictable and standardized linear output.
Can they copyright and license a response curve?