Click here to go to the first RED TEAM post in this thread.   Thread: What is the New Color Science?

Reply to Thread
Page 1 of 5 12345 LastLast
Results 1 to 10 of 44
  1. #1 What is the New Color Science? 
    I understand that RED has changed the way build 20 handles gamma? But I'm not finding answers when I search for "New Color Science". What exactly is it? Plenty of posts, but no clear explanation and nothing in the build 20 manual.

    STeve
    Reply With Quote  
     

  2.   Click here to go to the next RED TEAM post in this thread.
  #2  
    Colour Science is the math behind how we turn the colours the image sensor sees into the colours you, the end user sees on the EVF, LCD or computer monitor.

    The NCS is an advanced calibration of the colours the camera produces for greater accuracy, lower noise (especially under tungsten light) and more accurate calibration of the white balance kelvin and tint numbers.

    Graeme
    www.red.com - 5k Digital Cinema Camera
    Science enables stories. Stories drive science
    FLUT™, Image Processing, Colour Science and Demosaic Algorithms, REDRAY 4K delivery
    Reply With Quote  
     

  3. #3  
    Thanks for that.

    So I gather from piecing together posts I've read, that Red Alert build 20 interprets the RAW footage in a different and improved way during transcodes. What about the Quicktime codec, does it also interpret footage in a new way? Are we talking about only RAW footage produced by a build 20 camera? What are the ramifications of mixing NewColorScience footage with older build 17 footage?

    Thanks,
    STeve
    Reply With Quote  
     

  4.   Click here to go to the next RED TEAM post in this thread.
  #4  
    All footage from all builds can benefit from NCS. That's the benefit of shooting RAW.

    Quicktime Codec is not quite ready with the NCS, but it's coming.

    Differences are how the white balance is handled so you may need to re-balance pre-B20 footage. Other than that, just enjoy the more accurate colors and lower noise.

    Graeme
    www.red.com - 5k Digital Cinema Camera
    Science enables stories. Stories drive science
    FLUT™, Image Processing, Colour Science and Demosaic Algorithms, REDRAY 4K delivery
    Reply With Quote  
     

  5. #5  
    Senior Member Chris Bell's Avatar
    Join Date
    Sep 2007
    Posts
    203
    Graeme,

    Can you explain why build 20 looks so warm? Under 5600K lighting, the image appears as if I had put a tobacco filter in front of the lens. In order to get a proper color balance, I white balance the camera to 4200K, which looks normal under 5600K lighting conditions. The images look fine in Red Cine, but the quicktime proxies are quite blue.

    I should add, even when white balanced to 4200K, the viewfinder still looks too warm.
    Reply With Quote  
     

  6. #6  
    Junior Member
    Join Date
    Aug 2009
    Location
    India
    Posts
    6
    Build 20 being a Beta, could there be problems unforseen that could leave me redfaced in the middle of a shoot? I am scared to use 20 because it is a beta
    Reply With Quote  
     

  7. #7  
    Senior Member
    Join Date
    Sep 2007
    Location
    Raleigh, NC
    Posts
    938
    Old news. Build 20 is not beta any more. It's the release build.
    Owner/Editor
    Drawbridge Media, Inc.
    www.drawbridge.tv
    ---
    Drawbridge does a mix of corporate video production, spots,
    live events and post-production. We also edit shows for Discovery Networks/TLC.
    Reply With Quote  
     

  8.   Click here to go to the next RED TEAM post in this thread.
  #8  
    Chris, what 5600k light source are you using? I've shot or had shot for me RED under a variety of light sources, from 2800k to 5600k and when auto-white balanced, they always look neutral, and the kelvin readout is very close to what my color temperature meter says the light source is.

    Graeme
    www.red.com - 5k Digital Cinema Camera
    Science enables stories. Stories drive science
    FLUT™, Image Processing, Colour Science and Demosaic Algorithms, REDRAY 4K delivery
    Reply With Quote  
     

  9. #9  
    Senior Member Chris Bell's Avatar
    Join Date
    Sep 2007
    Posts
    203
    Hi Graeme,

    I just finished a shoot this morning. Lit with Arri HMIs, the camera white balanced to 4300K. The viewfinder still looked warm to my eye, my Panasonic 1700 HD monitor looked correct.

    Is there an issue with my camera?
    Reply With Quote  
     

  10.   Click here to go to the next RED TEAM post in this thread.
  #10  
    I'm not sure if there's a camera issue or not. But the EVF should be showing the same color balance as the LCD as an external monitor.

    Graeme
    www.red.com - 5k Digital Cinema Camera
    Science enables stories. Stories drive science
    FLUT™, Image Processing, Colour Science and Demosaic Algorithms, REDRAY 4K delivery
    Reply With Quote  
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts