Click here to go to the first RED TEAM post in this thread.   Thread: October 30th Announcement Feedback

Closed Thread
Page 36 of 180 FirstFirst ... 263233343536373839404686136 ... LastLast
Results 351 to 360 of 1799
  1. #351  
    Senior Member NormLi's Avatar
    Join Date
    Jul 2007
    Location
    Vancouver, BC
    Posts
    1,486
    Although I like color of the TATTOO limited edition, I think I would prefer to have the EPIC-X in black for reflection issues that I'm constantly dealing with on set. The blacker the camera, the easier my life. :)

    That being said, congrats to the RED team on this news and the upcoming release of the TATTOO. I'm thinking about being a part of the TATTOO beta testing...

    Norm
    Norm Li, csc
    Cinematographer
    http://www.q-films.com

    EPIC-M #490, #863
    EPIC-X #670

    + Cooke S4/i Set (9 lenses), Cooke Mini S4/i Set (7 lenses), Angenieux Optimo 24-290mm, LOMO Anamorphic Roundfront Set (4 lenses), O'Connor 2575's, Arrihead MK1, Arri MB18's, MB14, LMB5's, FF4, FF5-Cine, O'Connor CFF-1, Digital Bartech, Panasonic/TVLogic/SmallHD LCDs, 3'/5' Overkeepers, RED Rocket, etc.

    + Cooke Anamorphic Set (7 lenses) and Angenieux Anamorphic Optimo 56-152mm (On order)
     

  2. #352  
    Senior Member
    Join Date
    Aug 2007
    Posts
    869
    Quote Originally Posted by Jarred Land View Post
    Hey I dont think I understand your question... We are making the PRO-I/O module.. there is no consideration not to make it. :)
    Sorry, I wasn't being clear. Yes, I meant having an option for an upgrade to the PRO-I/O module from the base model if you opt for an Epic X in Stage 2 or 3. Basically paying the difference in price. After all, it is modular system, right?

    M
     

  3.   Click here to go to the next RED TEAM post in this thread.
  #353  
    Quote Originally Posted by NormLi View Post
    Although I like color of the TATTOO limited edition, I think I would prefer to have the EPIC-X in black for reflection issues that I'm constantly dealing with on set. The blacker the camera, the easier my life. :)


    Norm
    Dont worry... The Rest of the Stages will come in black :)
     

  4. #354  
    Senior Member
    Join Date
    Aug 2007
    Posts
    869
    Hey Jarred,

    Can you address my other questions about the mattebox and weight?

    Thx,
    M
     

  5. #355  
    Senior Member Joseph Hutson's Avatar
    Join Date
    Jan 2008
    Location
    Dubai/USA/Anywhere at a Moment's Notice
    Posts
    3,344
    Quote Originally Posted by NormLi View Post
    Although I like color of the TATTOO limited edition, I think I would prefer to have the EPIC-X in black for reflection issues that I'm constantly dealing with on set. The blacker the camera, the easier my life. :)

    Norm
    Personally, I've always been an advocate for the special edition look that the tattoo has. Unfortunately, Im not special enough to get the edition with the look.
    CINEPHOTOGRAPHER | Dubai

    TWITTER | @Hutson

    The answer is "No" 100% of the time you don't ask.
     

  6. #356  
    No mention today of being able to have detached modules running away from the brain via a cable... something people have been wondering about since the initial announcement of the module system...
    Mark Pugh LA,NYC, and AUS.

    www.markpughfilms.com
    Several EPICs...
     

  7.   Click here to go to the next RED TEAM post in this thread.
  #357  
    Hey Mark don't worry we haven't forgotten about tethering :)
     

  8. #358  
    Senior Member NormLi's Avatar
    Join Date
    Jul 2007
    Location
    Vancouver, BC
    Posts
    1,486
    Quote Originally Posted by Jarred Land View Post
    Dont worry... The Rest of the Stages will come in black :)
    Cool :) But I want the TAT ;)

    Great news that the 18mm RPP is looking at a potential Jan 2010 release too.

    Thanks,

    Norm
    Norm Li, csc
    Cinematographer
    http://www.q-films.com

    EPIC-M #490, #863
    EPIC-X #670

    + Cooke S4/i Set (9 lenses), Cooke Mini S4/i Set (7 lenses), Angenieux Optimo 24-290mm, LOMO Anamorphic Roundfront Set (4 lenses), O'Connor 2575's, Arrihead MK1, Arri MB18's, MB14, LMB5's, FF4, FF5-Cine, O'Connor CFF-1, Digital Bartech, Panasonic/TVLogic/SmallHD LCDs, 3'/5' Overkeepers, RED Rocket, etc.

    + Cooke Anamorphic Set (7 lenses) and Angenieux Anamorphic Optimo 56-152mm (On order)
     

  9.   Click here to go to the next RED TEAM post in this thread.
  #359  
    Quote Originally Posted by NormLi View Post
    Cool :) But I want the TAT ;)


    Norm


     

  10. #360  
    Banned
    Join Date
    Feb 2009
    Location
    Kraljevo,Serbia
    Posts
    33
    Quote Originally Posted by Eddy Robinson View Post
    Motion tracking data to help interface with CG. Doing it via optics is expensive and slow, but if you shoot some footage in a green screen studio then the tracking data will tell your 3d software how to move the virtual camera around so the CG scenery lines up with the motion of the real camera. It's a Good Thing.
    Are you serious? Is this true? Will Scarlet have the same option? what else would I need for import those data?
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts