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  1. #1 Banding Issues 
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    Hey, I am shooting at recommended settings 5000K. Looks like I'm getting some banding issues at the right side of the wall. I've experienced this before and it looks terrible. Is this normal with the RED or is it just my iMac monitor?

    Also, my camera seems to be adding a tint to the image. I open up my file in red alert and I see that plus 10 tint has been added to my file, even if I do not have any type of gain, curve, or anything modified in camera.
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  2. #2  
    Surely the tint has something to do with this?
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    Tint is part of white balance (kelvin and tint): Kelvin being the correlated colour temperature and the tint being a compensation for a light source not purely on the black-body radiator curve.

    5000k is not a recommended setting, but as the sensor thinks white looks white around that colour temp, it's a good temp to have the lights at so that dynamic range is maximized. If not, not usually a problem, especially as if you have any clipped highlights DRX can fix their colour and put missing detail back into them.

    Now, onto banding. What precisely do you mean by that as some people think of it as vertical or horizontal lines, and others posterization bands.

    Graeme
    www.red.com - 5k Digital Cinema Camera
    Science enables stories. Stories drive science
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  4. #4  
    Senior Member Imran Farouk's Avatar
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    Surely those lights are tungsten and isn't around 5,000K daylight settings so just switching the white balance in RED Alert or whatever program your using to 3,200K or around there would get rid of the banding on the right side wall...
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  5. #5  
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    Quote Originally Posted by Graeme Nattress View Post
    Now, onto banding. What precisely do you mean by that as some people think of it as vertical or horizontal lines, and others posterization bands.

    Graeme
    Graeme,

    Do you think that my camera is automatically adding tint without my knowledge? I even set my "look" settings in my camera and made sure everything was set to normal. I'm still getting this tint.

    As for banding, I'm talking about the shades not having a smooth gradient, like you can see from the right side of the wall.

    - David
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  6. #6  
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    Quote Originally Posted by Imran Farouk View Post
    Surely those lights are tungsten and isn't around 5,000K daylight settings so just switching the white balance in RED Alert or whatever program your using to 3,200K or around there would get rid of the banding on the right side wall...
    I tried this and it didn't work. Thanks for the suggestion though!

    More info: I'm using Zeiss Standard Speeds PL mount for 35mm format, focal length 16mm.

    This occurs with all of my lenses.
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  7. #7  
    Have you tried converting an R3D frame in different settings? I don't mean different white balance or color settings, I mean to different formats (Log, Camera RGB, etc.) Often that sort of banding is due to a conversion error.
    David Mullen, ASC
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    Tint will normally come when you do an auto-white-balance. It's a necessary part of how WB works.

    The banding is most likely a monitoring issue. Say you export a 16bit tiff from a RED App - your monitor is 8bit. You could very well see contouring / banding due to the decimation from 16bit to 8bit. What I'd suggest is to use photoshop, say, to convert from 16bit to 8bit which dithers down properly, then look at it.

    I've examined many examples of banding in RED footage and it's always been a monitoring artifact or a lack of dither in creating an 8bit from a higher bit depth.

    Graeme
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  9. #9  
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    Quote Originally Posted by David Mullen ASC View Post
    Have you tried converting an R3D frame in different settings? I don't mean different white balance or color settings, I mean to different formats (Log, Camera RGB, etc.) Often that sort of banding is due to a conversion error.
    Hey David,

    I'm not sure if this matters but I see the banding in my original R3D file when played to quicktime in 4k, in RED Alert, and also in my 5.6 inch Red LCD monitor when I am shooting. It's very clear when I am shooting a blank wall, it looks like a strange bullseye type of pattern that grows and shrinks when I tilt my camera up and down.
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  #10  
    It's most likely a display artifact. Most displays are 8bit or less. You get these effects if you don't properly dither down the high bit depth of the R3D to your display bit depth.

    Graeme
    www.red.com - 5k Digital Cinema Camera
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    FLUT™, Image Processing, Colour Science and Demosaic Algorithms, REDRAY 4K delivery
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