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  1. #501  
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    Rodney and Alexa

    He says Alexa takes 2 frames to combine them for HDR... thats cool. I wonder if the highlight frame has a faster shutter...

    http://vimeo.com/10519628

    Does he say Arri makes Optimo's?
     

  2. #502  
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    Quote Originally Posted by jonnycom View Post
    Rodney and Alexa

    He says Alexa takes 2 frames to combine them for HDR... thats cool. I wonder if the highlight frame has a faster shutter...

    http://vimeo.com/10519628

    Does he say Arri makes Optimo's?
    Not two frames but dual gain taps off the CMOS we call it Dual Gain Architecture-

    The ALEV III sensor design provides 32 pairs of outputs. Each channel is divided into a high gain path (H) and a low gain path (L), resulting in 64 channels arriving at the 14 bit A/D converters. In the final images the lowlights are reconstructed from the high gain path and the highlights are reconstructed from the low gain path for an image containing meaningful information in all 16 bits.
    Michael Bravin
     

  3. #503  
    REDuser Sponsor Martin Stevens's Avatar
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    Quote Originally Posted by Michael Bravin View Post
    Not two frames but dual gain taps off the CMOS we call it Dual Gain Architecture-

    The ALEV III sensor design provides 32 pairs of outputs. Each channel is divided into a high gain path (H) and a low gain path (L), resulting in 64 channels arriving at the 14 bit A/D converters. In the final images the lowlights are reconstructed from the high gain path and the highlights are reconstructed from the low gain path for an image containing meaningful information in all 16 bits.
    Your statement leads me to believe that this dual gain tap is how the Alexa
    derives it 13 stops of DR, and not how it achieves HDR. For me, 13 stops
    of captured DR per frame is not HDR. So by this standard is there actually
    going to be a HDR mode on the Alexa, as in 18 stops etc.?

    Perhaps I have misunderstood you???
    Regards,
    Martin Stevens

    President and Founder of Glidecam Industries, Inc.
    Producer and Director at Metaphoric Pictures.
     

  4. #504  
    Senior Member JD Holloway's Avatar
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    Quote Originally Posted by Martin Stevens View Post
    Your statement leads me to believe that this dual gain tap is how the Alexa
    derives it 13 stops of DR, and not how it achieves HDR. For me, 13 stops
    of captured DR per frame is not HDR. So by this standard is there actually
    going to be a HDR mode on the Alexa, as in 18 stops etc.?

    Perhaps I have misunderstood you???
    You would hope neither is true I would think.
    "Any smaller and it would be vaporware."
     

  5. #505  
    Where did Michael Bravin use the term "HDR" that he should now be accused of misusing it?
    David Mullen, ASC
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  6. #506  
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    Quote Originally Posted by Michael Bravin View Post
    Not two frames but dual gain taps off the CMOS we call it Dual Gain Architecture-

    The ALEV III sensor design provides 32 pairs of outputs. Each channel is divided into a high gain path (H) and a low gain path (L), resulting in 64 channels arriving at the 14 bit A/D converters. In the final images the lowlights are reconstructed from the high gain path and the highlights are reconstructed from the low gain path for an image containing meaningful information in all 16 bits.
    This description of the latest sensor from Arri has been around for some time.

    Is this what you was referred to as HDR on the Alexa? That phrase would seem to be new to the Alexa (and based on Rodney Charter's comment in a video?).

    Is it the method used to arrive at the dynamic range the camera is currently touting (~13+ stops), or is it HDR in the accepted sense of generating images that have a greater range than what the camera can normally achieve in a single exposure?

    -sc
     

  7. #507  
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    Quote Originally Posted by David Mullen ASC View Post
    Where did Michael Bravin use the term "HDR" that he should now be accused of misusing it?
    David, I'm not sure Michael ever did. Rodney Charters described combining two frames, the second one "with highlights in mind", and outputing them. Here: http://reduser.net/forum/showthread.php?t=43257

    He didn't use the term HDR, but some body in that thread did, and Michael hasn't corrected the notion.

    I'm trying to figure out if Rodney was describing HDR (his phrasing implies some temporal difference between the frames), or if he was just attempting to describe what Michael has posted here (the dual gain channels), albeit not as accurately.

    I tend to think it's the latter.

    -sc
     

  8. #508  
    REDuser Sponsor Martin Stevens's Avatar
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    Yes, it would be nice if Michael Bravin could chime in here
    and clarify the Alexa HDR issue.
    Regards,
    Martin Stevens

    President and Founder of Glidecam Industries, Inc.
    Producer and Director at Metaphoric Pictures.
     

  9. #509  
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    Quote Originally Posted by Martin Stevens View Post
    Yes, it would be nice if Michael Bravin could chime in here
    and clarify the Alexa HDR issue.
    He already has. He just gave you a very direct description of how the Alexa is maximizing its available dynamic range. I would suggest re-reading his last post, which is very clear, and not using someone else's slip of the tongue as some sort of accusation.
     

  10. #510  
    REDuser Sponsor Martin Stevens's Avatar
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    I have made no accusation. I was going by his direct response
    to an HDR question from another post that he quoted. I was just
    asking him to help me understand. There is no
    subterfuge in my post.
    Regards,
    Martin Stevens

    President and Founder of Glidecam Industries, Inc.
    Producer and Director at Metaphoric Pictures.
     

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