Shooting in vietnam

[nguyenduy]

IF YOU HAVE A PLAN TO MAKE A FILM IN VIETNAM, WOULD YOU LIKE VISIT US. WE, PROFESSIONAL FILM EQUIPMENT RENTAL, ARE PROUD OF OUR SERVICES. WE HAVE RED CAMERA, ARRI CAMERA WITH COMPLETE ACCESSORIES. WE ALSO SUPPLY LIGHTING FROM 100W TO 12KW, GRIP, DOLLY, CRANE, GENERATOR...
WE ARE VERY HAPPY TO SERVER YOU IN VIETNAM. PLEASE CONTACT US:

South East Asia Production Services Ltd
621 Huynh Tan Phat Street., District 7, HCMC, Vietnam
Phone: (848) 3773 8668 - Fax: (848) 3773 8678
Email: sales@pspsvietnam.com - info@pspsvietnam.com

[Michael Thornton]

Hey, are you going to NAB this year?

Hope to see you and Doug in Lav Vegas.

PM me?

Michael T.

[seaps]

Hey, are you going to NAB this year?

Hope to see you and Doug in Lav Vegas.

PM me?

Michael T.

Nguyen Duy is my camera staff, Yes, I will be there

[Michael Thornton]

Cool, see you Las Vegas in a couple of days.

Michael T.

[nguyenduy]

Now we have many new equipments for our camera set. we always update out equipments to serve you better.

[hoang_long_pro2008]

Cover all the Angles – The Ultra Primes

Ultra Primes have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.
Ultra Primes retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Primes are lightweight standard speed lenses that are a perfect optical match to the high speed Master Primes.

• 16 modern high performance prime lenses (T.1.9)
• Widest focal length range: 8 - 180 mm
• Ultra Primes 8R – extreme wide angle lens
• Ultra Prime 180 the best cinema telephoto prime
• Superior close focus ability

Name Type Aperture Close focus (5) Length (lens mount to front) Front diameter Weight Horizontal angle of view Horizontal angle of view Horizontal angle of view - - - - - - - ANSI Super 35 (1) DIN Super 35 (2) Normal 35 (3) - - - - - - - l'=12.45mm (4) l'=12.00mm (4) l'=11.00mm (4) Ultra Prime T2.8/8R Distagon T* T2.8 to T22 0.35m / 1 1/4' 130mm / 5.1" 134mm / 5.3" 2kg / 4.4lbs 114.0° 112.0° 107.0° Ultra Prime T2.1/10 mm Distagon T* T2.1 to T22 0.35m / 1 1/4' 143mm / 5.6" 156mm / 6.1" 2.9kg / 6.4lbs 102.1° 100.2° 90.8° Ultra Prime T2/12 mm Distagon T* T2 to T22 0.3m / 1' 140mm / 5.5" 156mm / 6.1" 2.0kg / 4.4lbs 92.6° 90.2° 85.2° Ultra Prime T1.9/14 mm Distagon T* T1.9 to T22 0.22m / 3/4' 112mm / 4.4" 114mm / 4.5" 1.8kg / 4.0lbs 82.6° 80.6° 75.6° Ultra Prime T1.9/16 mm Distagon T* T1.9 to T22 0.25m / 1' 94mm / 3.7" 95mm / 3.7" 1.2kg / 2.6lbs 75.2° 75.6° 70.8° Ultra Prime T1.9/20 mm Distagon T* T1.9 to T22 0.28m / 1' 91mm / 3.6" 95mm / 3.7" 1.2kg / 2.6lbs 65.0° 62.8° 58.4° Ultra Prime T1.9/24 mm Distagon T* T1.9 to T22 0.3m / 1' 91mm / 3.6" 95mm / 3.7" 1.0kg / 2.2lbs 55.8° 54.2° 50.2° Ultra Prime T1.9/28 mm Distagon T* T1.9 to T22 0.28m / 1' 91mm / 3.6" 95mm / 3.7" 1.0kg / 2.2lbs 48.4° 46.8° 43.2° Ultra Prime T1.9/32 mm Distagon T* T1.9 to T22 0.35m / 1 1/4' 91mm / 3.6" 95mm / 3.7" 1.1kg / 2.4lbs 43.0° 41.6° 38.2° Ultra Prime T1.9/40 mm Distagon T* T1.9 to T22 0.38m / 1 1/4' 91mm / 3.6" 95mm / 3.7" 1.0kg / 2.2lbs 34.7° 33.2° 30.6° Ultra Prime T1.9/50 mm Planar T* T1.9 to T22 0.6m / 2' 91mm / 3.6" 95mm / 3.7" 1.0kg / 2.2lbs 27.2° 26.2° 24.0° Ultra Prime T1.9/65 mm Planar T* T1.9 to T22 0.65m / 2 1/4' 91mm / 3.6" 95mm / 3.7" 1.1kg / 2.4lbs 21.8° 21.0° 19.2° Ultra Prime T1.9/85 mm Planar T* T1.9 to T22 0.9m / 3' 91mm / 3.6" 95mm / 3.7" 1.2kg / 2.6lbs 17.1° 16.5° 15.2° Ultra Prime T1.9/100 mm Sonnar T* T1.9 to T22 1m / 3 1/4' 91mm / 3.6" 95mm / 3.7" 1.2kg / 2.6lbs 13.9° 13.7° 12.6° Ultra Prime T1.9/135 mm Sonnar T* T1.9 to T22 1.5m / 5' 119mm / 4.7" 95mm / 3.7" 1.6kg / 3.5lbs 10.5° 10.2° 9.3° Ultra Prime T1.9/135 mm Sonnar T* T1.9 to T22 2.6m / 8 1/2' 166mm / 6.5" 114mm / 4.5" 2.6kg / 5.7lbs 7.9° 7.6° 7.0° (1) Horizontal angle of view for an ANSI Super 35 Silent camera aperture (aspect ratio 1:1.33, dimensions 24.9mm x 18.7mm / 0.980" x 0.7362"). Ground glasses available for ARRICAM, ARRIFLEX 235 and all 435 and 535 models.
(2) Horizontal angle of view for a DIN Super 35 Silent camera aperture (aspect ratio 1:1.33, dimensions 24mm x 18mm / 0.944" x 0.7087"). Ground glasses available for ARRIFLEX 235 and all 435 and 535 models.
(3) Horizontal angle of view for a Normal 35 Academy camera aperture (aspect ratio 1:1.37, dimensions 22mm x 16mm / 0.8661" x 0.6299"). Ground glasses available for ARRICAM, ARRIFLEX 235 and all 435 and 535 models.
(4) l' is the radius of the image circle needed for the respective format. It is the same as the distance from the image center to a corner. '
(5) Close focus is measaured from the film plane.
T* is the trademark for the special Zeiss anti-reflex lens coating that reduces veiling glare and other reflections

[hoang_long_pro2008]

now we have 5 red camera full set
new zoom cook 25-250 and angenieux 25-250
lens 18-85 mark 3

[hoang_long_pro2008]

how long it will be? epic?

[TramLyTNP]

CLASH

Production: Chánh Phương Film
Director: Lê Thanh Sơn
D.O.P: Dominic Pereira
Talent: Johnny Trí Nguyễn, Ngô Thanh Vân, Hoàng Phúc, Hiếu Hiền...
PS crew: Hồ Hoàng Hải (Gaffer)
Lê Thanh Tâm (Lighting Tech.)

[malida]

What will be the criteria and rent for your cam per day?