RED at THE MILL, NYC

[Mark L. Pederson]

I can't give you the details yet - the politics on this stuff is nuts - but our test shoot this past Saturday;

RED head-to-head with 35mm at a high-end commercial shoot -

had the post production show-down with the team at THE MILL in NY.

Let's just say ... RED had a very good day.

[Michael Schrengohst]

When will the film from the 35MM camera be developed?

[Craig Meadows]

When will the film from the 35MM camera be developed?

Then transferred to a file or tape? :)

[Frank Weeks]

Let's just say ... RED had a very good day

Thanks for the continuing updates.


Frank
Red 822

[Jaime Vallés]

Awesome! Can't wait to hear the comparison chatter. Thanks for the update!

[David Battistella]

I can't give you the details yet - the politics on this stuff is nuts - but our test shoot this past Saturday;

RED head-to-head with 35mm at a high-end commercial shoot -

had the post production show-down with the team at THE MILL in NY.

Let's just say ... RED had a very good day.

You should run a workflow cost comparison along side the image test results.

That would be cool!

David

[Mike Prevette]

Guys The Mill is a post house. Meaning the commercial was shot and processed a day or so ago, now both are being viewed together.


_mikw

[Álex Montoya]

Please, give us more details, Mark.

[Alexander Nikishin]

Details, details!

[JD Holloway]

BUMP for camera drag race.