Take a look at this rough cut using quite a bit of gags on the red.
Would love feedback
http://www.vimeo.com/11340291
Thanks
Marc
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Take a look at this rough cut using quite a bit of gags on the red.
Would love feedback
http://www.vimeo.com/11340291
Thanks
Marc
I think the footage look great, Marc! Congrats. It makes me want to go try out a lens baby sometime soon.
How many lights did you have behind the band and what were they? Looks awesome.
Were the lens flares added in post or were they in the footage?
We had that wall of lights in back of the band made up of abandoned lights in unused studio - (top) 9 - 2k's, (middle) 8 - 1k's and (bottom) 8 1k scoops
We also had an 8k soft box for a fill and a number of smaller lights 650's and 1k's to bring out detail as needed
We pretty much kept plugging lights in until we ran out of distro cable and than made lighting designs based on that
The footage is uncolored as of yet and the flares are all in the footage - used a sungun as needed add flares when necessary
There's a whole narrative portion that the editor is still putting together
Thanks for taking a look!
Marc
Last edited by Marc Anthony Ruiz; 05-04-2010 at 11:54 PM. Reason: Typo
that's pretty awesome.
how much of a learning curve is there for shooting with the lens baby? does it take a long time to set up lens baby shots? I'm definitely interested in trying one out.
can't wait to see the finished music video.
Looks pretty damned good to me, with a nice punchy grade this should kick ass! Post the final!
LB is so easy to use
I tested w it for less than a day and found the style of application that met my needs no prob
It's the best $100 I ever spent on eBay
Would've cost me more to rent for the time I used it on my set
You use your meter to grab your stop and drop in the correct aperture ring and go
It's a fun gag to have in your tool kit
Wow, looks great. Be sure to post the final here as well! :)
thanks marc. that's awesome. keep up the great work and let us know when the finished video is online
The shots look a little cramped. For such a big lighting set up you never see it all.
It was an aesthetic choice for me. The set-up is big but when I planned the shoot for me it was all about details and tight compositions. I definitely have the coverage to go wider. In the final cut I may very well. Once I see how the narrative portion fits I'll have to address such issues as my shot selections as well as things like pacing and grading (etc. etc.)
Thanks for taking a look!
Marc
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