
Originally Posted by
KETCH ROSSI
In over twenty years of Photography and Cinematography experiences, I have come across and used just about literally every lens ever Manufactured, or close to it;~). In photography I have come to love Hassy by Zeiss, Leica, Nikon and Canon glass, and in Cinema the Arii/Zeiss Master Primes have taken my heart from their very first appearance, then here come the Red PRO glass, and it was love all over again!!
As I'm awaiting delivery of the Epic-X S35, I find my self looking very careful on my decisions for Glass, as this will not only have to satisfy my Cinema needs but also my Photographic needs for still images. Even so I look so forward to when my Epic 645 will be released, for now I have to make good with the S35 Brain for Photography, especially since I have now officially sold every 35mm and MF Still camera and lenses.
With this comes the decision of the glass, while I was to purchase the new Leica S and their current MF S series Leica glass, I have decided to wait and see if the Epic-X S35 will do for me, RED has already announced a Canon and Nikon mounts for the Epic S35, and we hope to see also a Leica "M" and "R" mount, sorry but Hassy has really lost me when they dropped Zeiss. I dreamed of a Leica S mount on the Epic 645 as soon as I played with the "S" series glass!!
But now down to what this post is about.. RED vs. LEICA in Cine lenses.
I admit that I, like many am a lover of Shallow DOF and super fast lenses, spoiled by the 1.2's of Canon latest line up of "L" glass, so I did wished that the RED PRO PRIME lenses were all T*1.3 or T*1.4, but T*1.8 is not bad at all, however what I have wished even more, since.. well, EVER, is a set of lenses of equal dimension, length, width, and front lens diameter with screw in filter thread, just for when I needed it, and off course to be as light weight as possible, while retaining and incredible image quality.
Well here come the LEICA SUMMILUX-C Primes, which have now answered all my wishes, literally, off course Price was a bit of a surprise but no so much, I did wish for a 10k to 12k per lens top price, but instead we got 20k to 22k per lens ;~(.
If RED was to make all their RED PRO PRIMES in equal qualities of the LEICA's what would their price be? 10k? 12k? 15k? or would they also be in the same price range of 20k to 22k? Well, we just don't know, simply cause they have not announced such a thing or interest in doing so, leaving users to have to make a choice, of either get the RED PRO PRIMES now or wait in line for the LEICA SUMILUX-C Primes and pay FIVE times as much!!
RED PRO PRIMES really do offer the absolute best choice, IMO, at their price point and well above, in all their aspect, Image Quality, Construction, Size and weight, which is not too different from the ARRI/ZEISS MASTER PRIMES, and off course their Good Looks, but I would love to have them the same size, same front element Threaded Diameter and same weight, yet I do understand how much more expensive and complicated it is to make a lens of different Focal, at high speed, of the same compact size, so I take gladly what is offered, which is an "INCREDIBLE DEAL"!!
But I must say that playing with the Leica Summilux-C Primes makes me really want a set of them, just simply put, stunning design, and if current plans continue to go well, I might end up getting a set, really a Fantastic job done by the designers KUDOS!!
The choice to go Leica here, is well beyond what same might call the LEICA Lovers, or the I got Money and want Leica stereotyping, this is simply a choice of having the Absolute Best Designed Cine Lenses to Date, not comparing Image Quality here, but simply their Design!! This goes so far as in to make this the absolute most Practical Lens set to use PERIOD!! I'm sure that all of those that have found them selves carrying different size Threaded Filters, and or Bellow MB adapters and the list goes on, will agree with me on this Indisputable argument.. Just really wish their were Priced more reasonably, not that I don't understand the difference form Volume Manufacturing to Hand Made products, just that with RED's RedVolution, we had hoped other would follow in the great Example that GREAT Glass don't NEED to be so DAM Expensive!! Nevertheless I wish LEICA all the Best, and I know they will do Extremely well, even Better then Arri's and Cooke's line up IMO.
Any way, if RED decides to make a RED PRO PRIME Set of equal specs of the LEICA SUMMILUX-C Primes they will have my money for a couple of sets immediately, if priced in the 10k per lens ;~)