Thread: JVC DLA-RS35 for FILMOUT GRADING?

Reply to Thread
Page 5 of 8 FirstFirst 12345678 LastLast
Results 41 to 50 of 71
  1. #41  
    Senior Member Ido Karilla's Avatar
    Join Date
    Oct 2007
    Posts
    540
    No convincing curve in those posts?
    KARILLA IDO
    OPUS DIGITAL LAB
    TEL AVIV
    ISRAEL
    Reply With Quote  
     

  2. #42  
    Senior Member Ido Karilla's Avatar
    Join Date
    Oct 2007
    Posts
    540
    No DLA RS 60 experience around?

    I will have to gamble and buy?

    Thanks.
    KARILLA IDO
    OPUS DIGITAL LAB
    TEL AVIV
    ISRAEL
    Reply With Quote  
     

  3. #43  
    Hi Ido,

    We just finished a 1 minute spot for theatres with this projector and Lustre, at the lab and they printed on celco. Worked really well. But I think it would be better to get the input from somebody who uses it at their own facility.
    Reply With Quote  
     

  4. #44  
    Senior Member
    Join Date
    Feb 2010
    Location
    Shunyata.
    Posts
    198
    Quote Originally Posted by Ido Karilla View Post
    No DLA RS 60 experience around?

    I will have to gamble and buy?

    Thanks.
    Ido,if you can wait a few weeks then i believe there will have been a review from the Uk site and quite a few people will have installed and posted their own critiques by then,i think JVC missed getting the PJ`s out for christmas.As you can see if you look at the forums it`s reports from the one fellow who got his hands on the X7 (the mid range one for non Uk readers).Personally i`d hang on for a while if you can.Do you definately have to gamble and buy right now?..that is ,if you could actually get your hands on one of the new range..
    If i learn any more i`ll post an update..
    Last edited by Graham_C; 12-31-2010 at 06:50 PM.
    Reply With Quote  
     

  5. #45  
    I'm awaiting delivery of an RS-60 but it'll be a couple of weeks before I've got it fully set up. Considering the previous models have successfully been used on many feature film projects I'm pretty confident this will work out fine.
    Raamw3rk
    Visual FX and digital storytelling
    Reply With Quote  
     

  6. #46  
    Senior Member Ido Karilla's Avatar
    Join Date
    Oct 2007
    Posts
    540
    Quote Originally Posted by Barend Onneweer View Post
    I'm awaiting delivery of an RS-60 but it'll be a couple of weeks before I've got it fully set up. Considering the previous models have successfully been used on many feature film projects I'm pretty confident this will work out fine.
    Hi Barend, did you successfully set up your RS-60?

    Did anyone learned any thing about its behavior under 10 IRE?

    Thanks.
    KARILLA IDO
    OPUS DIGITAL LAB
    TEL AVIV
    ISRAEL
    Reply With Quote  
     

  7. #47  
    Hi, I'm taking delivery of the RS-60 this week, should have it fully set up with Cinespace within a couple of weeks.
    Raamw3rk
    Visual FX and digital storytelling
    Reply With Quote  
     

  8. #48  
    Senior Member Ido Karilla's Avatar
    Join Date
    Oct 2007
    Posts
    540
    Quote Originally Posted by Barend Onneweer View Post
    Hi, I'm taking delivery of the RS-60 this week, should have it fully set up with Cinespace within a couple of weeks.
    Thanks, which probe will you be using?


    Do not forget to update. I want a new setup as well.....

    Thanks.
    KARILLA IDO
    OPUS DIGITAL LAB
    TEL AVIV
    ISRAEL
    Reply With Quote  
     

  9. #49  
    Senior Member
    Join Date
    Feb 2009
    Location
    San Juan, Puerto Rico
    Posts
    687
    Also, are you aiming to calibrate based on rec709 primaries or are you aiming to squeeze the projector to as close as posse Le to dci spec?
    ________________________________________
    Frank Cueto
    Reaktor Post & Transfer
    San Juan, Puerto Rico

    Baselight Color Correction and DI, DaVinci Film Transfers (S35,35,S16 & 16) & Tape to Tape
    Smoke Advanced & Smoke HD ON-Line Suites
    (3) GFX/VFX Suites
    (2) Final Cut Pro Suites with HD-SDI Monitoring and IO
    ProTools 5.1 HD Suite, with HD-SDI monitoring/IO,recording booth & FX-Music Libraries
    (2) On-Set workstations powered by RED Rocket™ with 16TB RAID 6 storage & Dual-ESata CFReaders
    Reply With Quote  
     

  10. #50  
    I'll be calibrating using Cinespace and the Hubble. The idea is to calibrate to P3 DCI colorspace.

    I'll be sure to keep you posted once everything is installed tweaked.

    Barend
    Raamw3rk
    Visual FX and digital storytelling
    Reply With Quote  
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts