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  1. #11  
    Moderator Martin Weiss's Avatar
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    Wisdom and Perspective from David Mullen:

    Quote Originally Posted by David Mullen ASC View Post
    I think there is a bit of ego wrapped up in using technology, on all sides, whether digital or film. People want to perceive themselves as being ahead of the pack in some way or the other, or bigger or better or more artistic than their competitors. 10 years from now when everyone is shooting digital, and film is likely to be gone, there won't be anything to brag about by shooting digital, instead it will be something else that will be used to make oneself seem to be visionary and everyone else to be old-school.

    "You're shooting 2D but I'm shooting 3D", "you're using a five-year-old camera but I'm using a camera that hasn't been released yet", etc. This will never end because people form emotional attachments to things, to pieces of technology. So for some reason, if their choice in technology becomes successful, it means they were "right" and somehow that makes them more successful or better, whatever. I just don't get it.

    Technology keeps changing, making some things easier, faster, cheaper, whatever. That's great, and it's fun as well. But fundamentally, do important things change? Does art therefore become more meaningful, deeper, do human relationships improve across the planet, do we treat each other better because now we can control our TV set from our iPad or because the home movie we shoot with our friends on the weekend has the same resolution as "Lawrence of Arabia"? These are all just tools for artists, and tools are important as a means to an end, but they are not the end, the art is the end, the IDEAS are the end.

    Last century, film was the primary tool for transforming visual ideas into concrete images; now it's becoming something else. Technical change is somewhat inevitable. But what I'm asking is how much that matters in the big picture so to speak. The more things change, the more they stay the same. Are the movies I have a choice to see this weekend fundamentally better than the ones I would have had to choose between on a December weekend in 1979 or 1939? After all, we've had digital tools for this past decade. So was "The Social Network" a fundamentally better movie because it was shot on the M-X Red One rather than in 35mm? I'm just asking for some perspective here. What does it really mean, or matter, if more Disney films this year are being shot in 3D Digital? Does it mean they will be better movies than what I saw a decade ago?

    Technical innovation is important and helps enable creative ideas, but it's important to be honest about what technology is doing to the process, pro and con, by asking if some other technology had been used for a particular project, would the artistic intent have been lost, or merely altered cosmetically? Will Terence Malick's digital movies be "better" than his movies shot on film, or just different?
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  2. #12  
    Senior Member Joseph Hutson's Avatar
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    HAHA!


    Quote Originally Posted by Jannard View Post
    Do you know how to become a millionaire? Start with a billion and build a camera... :-)

    Jim
    CINEPHOTOGRAPHER | Dubai

    TWITTER | @Hutson

    The answer is "No" 100% of the time you don't ask.
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  3. #13  
    Senior Member D Fuller's Avatar
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    Quote Originally Posted by John Schwartzman ASC View Post
    Today was Epic, Monday December 6 marks the first day the Red Epic camera was used to shoot a major studio motion picture.
    Best so far!
    David Fuller
    AirStream Pictures
    RED ONE #172MX
    EPIC-M #1053
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  4. #14  
    Moderator Martin Weiss's Avatar
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    Jim in a nutshell:

    Quote Originally Posted by Jannard View Post
    I'd much rather spend my nights (until 4am) with you guys on this board than win any award. True.
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  5. #15  
    Moderator Martin Weiss's Avatar
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    Quote Originally Posted by Deanan View Post
    Talking with Brook, Steve, and Zach on set, we were wondering how to explain Epic's power elegantly. This is it in terms of size, resolution, and fps:
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  6. #16  
    Moderator Martin Weiss's Avatar
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    Quote Originally Posted by Jannard View Post
    Quote Originally Posted by C.H.Haskell View Post

    Welcome back Jim...whats the next move :)
    Production...

    Jim
    That's the spirit.
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  7. #17  
    Moderator Martin Weiss's Avatar
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    About approx. production start times for cameras:

    Quote Originally Posted by Jannard View Post
    Depending on EPIC orders...

    Feb. to begin EPIC-X production and April to begin EPIC-S production. Scarlet right in there somewhere.

    That could change depending on a lot of things.

    Jim
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  8. #18  
    ...

    Quote Originally Posted by Graeme Nattress View Post

    Just like RED has zero control of the plots of the movies shot on RED cameras, we don't control lighting, post, or grading decisions either.

    Graeme
    "Como delfines en el fondo del oceano
    volamos por el universo incentivados por la esperanza"
    "L'esperanza", Sven Vδth
    "It's a poor sort of memory that only works backwards"
    Jung/ Carol
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  9. #19  
    Moderator Martin Weiss's Avatar
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    Mark's first impression of the EPIC-M:

    Quote Originally Posted by Mark L. Pederson View Post
    Well ... I knew it was going to be amazing. And I saw HDRx™ work and I knew - in that moment - they had the secret sauce. But NO ... I did not actually set the bar high enough. Expectations significantly exceeded.
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  10. #20  
    Senior Member Joseph Hutson's Avatar
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    Quote Originally Posted by Tonaci Tran View Post
    Red comes in at a certain admission price. You get what you pay for, but with Red, I think you get ALOT for what you pay for when you compare it with other cameras.
    .........
    CINEPHOTOGRAPHER | Dubai

    TWITTER | @Hutson

    The answer is "No" 100% of the time you don't ask.
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