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I agree that 48fps helps 3D to get a lot better, but i also think it makes sense for 2D too. 24fps isn't perfect, we're just got used to it. HFR might not be needed for 2D as much as for 3D, but the difference is clearly visible, thats enough for me. ;)
Yeah, i hope thats not true. 4k please!Also I'm not that excited if the 2K finish is confirmed
From what I've read recently in an article, about 6-7 TB's a day.
Wondering if the movie will have a 4K or 2K finish. I know 4K is a massive chunk more of data for VFX, and as someone who doesn't know details about that milieu, I'll believe them on their word, but when I heard that Spiderman and Prometheus were all being finished in 2K, I was a bit surprised though.
The girl with the Dragon Tattoo was finished in 4K, right? Of course that didn't nearly have the amount of FX that Spiderman and Prometheus had.
Still, I would think that The Hobbit would have the budget and the scale to be one of the first really big movies to be finished in 4K.
Spidey and Dragon Tat both got 4K. Spidey 3D was 2K and the VFX shots were resized for 4K as they were for the Sam Raimi films.
I like new plasmas with 120Hz interpolation thing as much as the next guy, it's fun and all. However, if we're talking film replacement here I'd rather go with global shutter or integrated tessive filter (or really damn fast readout speeds on new CMOS sensor) with the improved dynamic range and sensitivity, rather than faster frames per second. I saw a 2K 3D demo one time, something like 5 or 6 minutes, of 60p footage with lot's of movement (no CGI effects though), I just felt high, man. Having that hyper-experience without doing dr00gs is great, if you ask me. My head probably would've exploded if it was 4K demo instead of 2K, that's why I was so excited about 4K 3D possibility. I just need my 4k3d48fps fix, maaaaan :)
Last edited by Vadim Bobkovsky; 08-10-2012 at 01:29 AM.
Well... it's a $500 million movie, and the director owns the VFX house. My assumption is they will do it in 4K, or whatever the resolution works out for that aspect ratio. To me, the 48fps and 3D parts of the puzzle are the most challenging, not the 4K (or 5K or whatever).
More info on the lack of 48fps screenings in Daily Variety:
http://www.variety.com/article/VR1118057587
And on the opposite side, here's ILM's Dennis Muren and also VFX guru Doug Trumbull arguing for the adoption of 48fps:
http://www.studiodaily.com/2012/08/t...e-rate-cinema/
This piece offers this interesting tidbit about The Hobbit:
"Anywhere between 6 and 12 TB of camera data was generated on each day of the six-days-a-week production, with about two hours of 48fps 3D screenings taking place daily. A total frame-to-frame equivalent of 24 million feet of film was processed."
Yikes... 12TB per day... For a year.
Well, it looks like The Hobbit is getting some limited edition Oakley 3D shades. I don't know if they are Gascan frames like the last few limited editions but they will apparently come with a nice little "Sting" pin.
Bravo, great film on shot on RED!
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