Click here to go to the first RED TEAM post in this thread.   Thread: Lens Package Options for Epic (1/2011)

Reply to Thread
Page 4 of 15 FirstFirst 1234567814 ... LastLast
Results 31 to 40 of 142
  1. #31  
    Senior Member Julio Quintana's Avatar
    Join Date
    Apr 2007
    Location
    Austin, TX
    Posts
    1,468
    Quote Originally Posted by Kobe Van Steenberghe View Post
    The price for the optar illumina's is actually USD$29,995.

    They were USD$26,995 but went up on newyear.

    http://www.fjsinternational.com/lenses.html
    Thanks, Kobe. Updated.
    Julio Quintana
    www.juliomquintana.com

    EPIC-X #560
    Canon Lens Package-
    -11-16mm f2.8
    -16-35mm f2.8
    -24mm f1.4
    -35mm f1.4
    -50mm f1.2
    -85mm f1.2
    Reply With Quote  
     

  2. #32 Correct Name 
    Senior Member Fred Salaff's Avatar
    Join Date
    Feb 2009
    Location
    Hollywood, FL
    Posts
    286
    The S35mm lenses from Luma Tech, made by the LOMO factory in St. Petersburg are called S35mm Illuminas. There is no such name as S35mm Optar Illuminas.
    The price for a set of S35mm Illuminas is now $29,995.
    Last edited by Fred Salaff; 01-16-2011 at 10:56 PM. Reason: spelling
    Reply With Quote  
     

  3. #33  
    Senior Member Julio Quintana's Avatar
    Join Date
    Apr 2007
    Location
    Austin, TX
    Posts
    1,468
    Quote Originally Posted by Fred Salaff View Post
    The S35mm lenses from Luma Tech, made by the LOMO factory in St. Petersburg are call S35mm Illuminas. There is no such name as S35mm Optar Illuminas.
    The price for a set of S35mm Illuminas is now $29,995.
    Thanks, Fred. I made the change.
    Julio Quintana
    www.juliomquintana.com

    EPIC-X #560
    Canon Lens Package-
    -11-16mm f2.8
    -16-35mm f2.8
    -24mm f1.4
    -35mm f1.4
    -50mm f1.2
    -85mm f1.2
    Reply With Quote  
     

  4. #34  
    Senior Member Julio Quintana's Avatar
    Join Date
    Apr 2007
    Location
    Austin, TX
    Posts
    1,468
    Hey guys. I have a question about the Zeiss Compact Primes. With the completely inconsistent f-stops, especially in the wides, why would anyone pay $24,000 for these? If you want cinema grade PL glass, the RED Primes seem much more professional. If it's about the physical size, you could find a set of used Zeiss Super Speeds for just a little more. And if it's about needing a Canon mount, for $24,000 you could get two full sets of Canon primes and have a spare 5D to boot. Am I missing something here?
    Julio Quintana
    www.juliomquintana.com

    EPIC-X #560
    Canon Lens Package-
    -11-16mm f2.8
    -16-35mm f2.8
    -24mm f1.4
    -35mm f1.4
    -50mm f1.2
    -85mm f1.2
    Reply With Quote  
     

  5. #35  
    Senior Member
    Join Date
    May 2009
    Location
    Vancouver/Saskatoon
    Posts
    352
    Quote Originally Posted by Julio Quintana View Post
    Hey guys. I have a question about the Zeiss Compact Primes. With the completely inconsistent f-stops, especially in the wides, why would anyone pay $24,000 for these? If you want cinema grade PL glass, the RED Primes seem much more professional. If it's about the physical size, you could find a set of used Zeiss Super Speeds for just a little more. And if it's about needing a Canon mount, for $24,000 you could get two full sets of Canon primes and have a spare 5D to boot. Am I missing something here?
    I think the main selling point would be that they are primes you can use on your DSLR, but unlike using Canon L series primes they do not breathe. (I haven't used one Canon/Sigma lense that would be suitable for any type of film work where focus pulling is required)
    Reply With Quote  
     

  6. #36  
    Senior Member Julio Quintana's Avatar
    Join Date
    Apr 2007
    Location
    Austin, TX
    Posts
    1,468
    Quote Originally Posted by Ryan Lalonde View Post
    I think the main selling point would be that they are primes you can use on your DSLR, but unlike using Canon L series primes they do not breathe. (I haven't used one Canon/Sigma lense that would be suitable for any type of film work where focus pulling is required)
    Makes sense I guess. I just usually associate DSLR's with tighter budgets, and the Compact Primes seem a little pricey, especially when compared to their faster Canon counterparts.

    Julio
    Julio Quintana
    www.juliomquintana.com

    EPIC-X #560
    Canon Lens Package-
    -11-16mm f2.8
    -16-35mm f2.8
    -24mm f1.4
    -35mm f1.4
    -50mm f1.2
    -85mm f1.2
    Reply With Quote  
     

  7. #37  
    Senior Member KETCH ROSSi's Avatar
    Join Date
    Jan 2007
    Location
    ITALY
    Posts
    9,939
    The choice its easy..

    Red Pro Prime Set T1.8 across
    (18, 25, 35, 50, 85, 100)
    Total
    $23,000

    Arri Master Prime set T1.3 across
    (18, 25, 35, 50 75, 100 Macro)
    Total $130ish

    Leica Summilux-C Prime Set T1.4 across
    (18, 21, 25, 35, 40, 50, 75, 100)
    Total
    $178,000

    Still not sure on the Zoom side, need to have some serious tests done with the Customized RPZ 17-50's to know more, if not the best bet for 3D will be ...


    Angenieux Optimo Zoom T2.8 Set
    Angenieux Optimo DP Rouge 16-42mm Zoom Lens 20,500
    Angenieux Optimo DP Rouge 30-80mm Zoom Lens 20,500
    Total 41,000


    Canon "L" series for some Photography work and possibly some DocuFilm work in super light set up.
    Reply With Quote  
     

  8. #38  
    Senior Member Julio Quintana's Avatar
    Join Date
    Apr 2007
    Location
    Austin, TX
    Posts
    1,468
    Hey Ketch. Would you mind telling us why you prefer the Leicas over the Master Primes? I'm sure you've mentioned it in another thread, but it might be useful to post it in this thread as well.
    Julio Quintana
    www.juliomquintana.com

    EPIC-X #560
    Canon Lens Package-
    -11-16mm f2.8
    -16-35mm f2.8
    -24mm f1.4
    -35mm f1.4
    -50mm f1.2
    -85mm f1.2
    Reply With Quote  
     

  9. #39  
    Senior Member Christopher Barrett's Avatar
    Join Date
    Sep 2010
    Location
    Chicago
    Posts
    1,197
    Quote Originally Posted by KETCH ROSSI View Post
    The choice its easy..

    Still not sure on the Zoom side, need to have some serious tests done with the Customized RPZ 17-50's to know more, if not the best bet for 3D will be
    Customized? Ketch, are you Duclosing your RPZ?

    Duclos
    -verb
    1. to improve mechanically; to rehouse; to augment original designs; to smoothen movement; to increase the accuracy of (Specifically in regards to Cinematography Lenses)
    __________________

    I DP'd the hell out of that shit.
    The Website
    Reply With Quote  
     

  10. #40  
    Senior Member James Brundige's Avatar
    Join Date
    Feb 2008
    Location
    Snowmass, Colorado
    Posts
    816
    Evin Grant. Thanks for all your lens information over the years. This thread seems more current than other stickies. What's the best way to keep the data base up to date?
    Reply With Quote  
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts