Stills from RED...

[Paul Schneider]

Mark, cool video. :-) Sharp and clean as. What surprised the hell out of me is that The Walking Dead was shot on Super-16mm. It's cool but surprising.

Matt, thank you again. I suppose that answers at least half of the problem.

Paul, that 3rd still (man with sun at his back) is another great example of how RED is so close to film. It looks like I might have to cancel my plans of moving from DSLRs to 35 & 120 and just go RED instead. Eventually...

Thanks Karim. I really feel the image on Epic and Scarlet are very close to film in the way they handle the highlight rolloff. I typically shoot with Cooke lenses, but that particular series was shot with a Red Lens (18mm & 25mm Primes). Was very impressed with them.

[Mark Phelan]

Stills pulled for print from a recent Western Union commercial shoot.

Great shots! What lens was used on the second shot with the flare?

[Chuck Z]

Another for the kids section... hanging with my boy while he's watching Scooby-Doo. Epic and Cooke Panchro/i 100mm.

Looking out my office window...

5k 2.4:1 Cooke Panchro/i 32mm T 2.8 96 fps RCX Grade

R1, Original M sensor, Nikon 80-200mm, 23.98fps, 1/48 shutter, no sharpening added.

All fantastic shots!

I'm really impressed with the colorimetry of the vanilla Mysterium sensor, Mark! Was there any grading or one light color correction?

[Chuck Z]

Shocking truth! Red is amazing. This is with a 100mm RPP.

Full size ---> http://cinespeed.com/power1.jpg

What compression ratio did you use? 3:1? The level of detail is immense!

[Mark Phelan]

All fantastic shots!

I'm really impressed with the colorimetry of the vanilla Mysterium sensor, Mark! Was there any grading or one light color correction?

Just a normal S curve added to blow out the background a bit more. I did give a smidgen of saturation too, 1.085.

[Karim D. Ghantous]

the vanilla Mysterium sensor

Vanilla is actually a delicious flavour and is no more plain or basic than any other. Take the vanilla out of vanilla ice cream and you just get dull, cold mud. Just 'cos you can't see it doesn't mean it's there.

Sorry, dude. I really get upset when people confuse vanilla with plainness.

[Joseph S.]

What compression ratio did you use? 3:1? The level of detail is immense!

Chuck, from the Burgh!!! I can't remember, but I always tend to be in between 3:1 and 5:1 range.

[Dominik Muench]

Some stills I extracted from my first glamour shoot with the Epic:








These 3 shots where extracted from 5K-WS 96fps 10:1 compression footage. 1/500s shutter speed. Exported as DPX from RedcineX.

all natural lighting.

[Jarred Land]

Great job Dominik...

[Dominik Muench]

thank you Jarred, here is the actual video footage I extracted the stills from, sorry about the editing job, was the first time I actually graded and edited something myself.



footage was exported from redcine into ProRes422 and edited in FCP, then uploaded as ProRes422 LT to Vimeo.