Here is a frame from a video timeline you might like. I could get the R3d still if you rather. Shot by me for NBC Sports The Kentucky Derby 2012
http://dl.dropbox.com/u/49919416/vlc...h48m43s231.png
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Here is a frame from a video timeline you might like. I could get the R3d still if you rather. Shot by me for NBC Sports The Kentucky Derby 2012
http://dl.dropbox.com/u/49919416/vlc...h48m43s231.png
some stills from a little pet project i just completed. if you want to see it in motion, i posted it here: http://www.reduser.net/forum/showthr...L-MEAT-AMERICA
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Pulled these stills out from a recent job for ae'lkemi clothing.
I'm taking the footage not used in the final spots and submitting it to the La Jolla Fashion Film Festival.
All natural lighting:
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http://ufo-tech.com/A178_C008_06196M.0000322f.jpg
hi: https://www.dropbox.com/s/mn21sc9bzy...6M.0000322.tif
med: http://ufo-tech.com/A178_C008_06196M.0000322c.jpg
low: http://ufo-tech.com/A178_C008_06196M.0000322b.jpg
First still from latest feature Runaway Hearts (working title)
Red One, MX sensor; Duclos lenses
starring: Wendell Pierce, John Schneider, Ali Landry, Jay K. Johnson, Rick Gomez, Abby Wathen
more info: www.ufo-tech.com
Super quick grabs from a music video I shot. Added just a hint of contrast and saturation in Red Cine-X.
Canon 85 f1.8
Tokina 11-16 at 11mm.
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Just finished up a pretty nice series of spots featuring Drew Brees. Going through the files now and grabbing stills for print. Pretty good stuff.
Right click and open in a new window to view large version.
Scarlet 4KHD, 24p, 180 degree shutter, 6:1 compression. Shot with Zeiss Cp.2's:
Red One MX 4.5k, 24P, Redcode 42, Zeiss CP.2's:
Red One MX 4KHD, 24P, Redcode 36, Zeiss Cp.2's:
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