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  1. #1 When will 4K 16:9 playback be availible? 
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    When will 4K 16:9 playback be availible in RED ALERT?
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  #2  
    as soon as possible, definitely before you get your cameras
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  3. #3  
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    Thing is I'm shooting with a rented one next month :shiftyph34r: :watsup:
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    I'm sorry, it's not done until it's done. If it was an easy fix you'd already have it ;)
    ROBCODE Santa Claus @ RED

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    Red Leader Jannard's Avatar
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    Rob has current news. I have future news. I'm using a build today that has 4K 16:9 and REDCINE supports it. No problem. My build also includes 2K 2:1 so you can match 2K and 4K with either 16:9 or 2:1. REDCINE supports all of them.

    Sleep tight. RED design is awake.

    Jim
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    Yes, REDCINE indeed supports all formats the camera can shoot, the QuickTime codec and RED ALERT do not yet, but will be very soon.
    ROBCODE Santa Claus @ RED

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  7. #7  
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    wooow is there is another :nuke: good surprises Jim & Rob..:ninja:
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    Red Leader Jannard's Avatar
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    I am 2/3rds right... Rob is 100% right.

    Somewhere in there is the truth.

    Jim
    "The camera is arguably one of the most important of all inventions… it is the single tool that has the ability to stop time, record history, generate art, tell stories, and communicate messages that transcend language like nothing else ever conceived."

    "Everything in life changes... including our camera specs and delivery dates..."

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  9. #9  
    Senior Member Miguel "Macgregor" De Olaso's Avatar
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    When will quicktime be able to show 16:9 files?
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  #10 4K 16:9 and QuickTime 
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    Soon, as Rob says.

    But to clarify, 2K 2:1 and 2K 16:9 are both supported in QuicKTime (and hence Final Cut Pro) plus RED ALERT and REDCINE already..

    Playback capabilities as of today for the various video formats are -

    4K 16:9 CAMERA REDCINE

    4K 2:1 CAMERA REDCINE RED ALERT QUICKTIME FCP

    2K 16:9 CAMERA REDCINE RED ALERT QUICKTIME FCP

    2K 2:1 CAMERA REDCINE RED ALERT QUICKTIME FCP

    So for now, with 4K 16:9 you need to bring it into REDCINE and export it as a standalone QuickTime movie in a different codec - such as ProRes - for viewing or use in Final Cut Pro etc. Exports to DPX / TIFF are also O.K.
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