Thread: FS: Arri Zeiss 12MM T2.1 PL Mount Lens

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  1. #1 FS: Arri Zeiss 12mm T2.1 PL Mount Lens 
    Tom Greenberg
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    Default 07-23-2011, 09:11 AM
    I am selling an Arri Zeiss 12mm T2.1 wide angle PL mount lens. This is a standard speed lens in excellent condition. It includes front and rear lens caps and an Arri SS-5 sunshade.

    Price: $8900 USD or best offer. Purchaser pays shipping costs.

    I will also consider full/partial trades for a fluid head/tripod legs combo (O'Connor, Miller, Sachtler, etc.), Arri FF-4, Arri MB-20 and other high-quality cine equipment.

    PM me or email me at: tom.g (at) compass (dot) edu

    Thanks,
    Tom
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    Last edited by Tom Greenberg; 07-24-2011 at 08:53 AM.
    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
    REDucation February 2012, RED Scarlet #2332, RED One MX SSD with Allstar A-Mount, RED 18-85 RPZ
    Nikkor AIS primes - with Cine-Still™ upgrades from RP Lens and A-Mount Adapters
    Contax Zeiss - 18/4.0, 25/2.8, 28/2.8, 35/2.8, 50/1.4, 60 Macro/2.8, 85/2.8, 100/3.5, 135/2.8, 180/2.8, 28-85/3.3, 80-200/4.0 - with Cine-Still™ upgrades from RP Lens
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  2. #2  
    Tom Greenberg
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    Default 07-24-2011, 07:58 AM
    More pictures...
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    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
    REDucation February 2012, RED Scarlet #2332, RED One MX SSD with Allstar A-Mount, RED 18-85 RPZ
    Nikkor AIS primes - with Cine-Still™ upgrades from RP Lens and A-Mount Adapters
    Contax Zeiss - 18/4.0, 25/2.8, 28/2.8, 35/2.8, 50/1.4, 60 Macro/2.8, 85/2.8, 100/3.5, 135/2.8, 180/2.8, 28-85/3.3, 80-200/4.0 - with Cine-Still™ upgrades from RP Lens
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  3. #3  
    Tom Greenberg
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    Default 08-04-2011, 04:06 AM
    bump
    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
    REDucation February 2012, RED Scarlet #2332, RED One MX SSD with Allstar A-Mount, RED 18-85 RPZ
    Nikkor AIS primes - with Cine-Still™ upgrades from RP Lens and A-Mount Adapters
    Contax Zeiss - 18/4.0, 25/2.8, 28/2.8, 35/2.8, 50/1.4, 60 Macro/2.8, 85/2.8, 100/3.5, 135/2.8, 180/2.8, 28-85/3.3, 80-200/4.0 - with Cine-Still™ upgrades from RP Lens
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  4. #4  
    Perry Ho
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    Default 08-04-2011, 11:32 PM
    Hi Tom!

    PM sent, please check it, thanks so much...
    Perry Ho

    Cineray Asia Films
    Cineray Media HK Ltd
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    Guangzhou . Beijing . Hong Kong . Mainland China
    Epic-M/X, Red MX 0008X, Scarlet-X...
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  5. #5  
    Tom Greenberg
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    Default 08-05-2011, 05:44 AM
    Quote Originally Posted by Perry Ho View Post
    Hi Tom!

    PM sent, please check it, thanks so much...
    Perry, I didn't receive a PM...please email me at: tom.g@compass.edu
    Thanks!
    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
    REDucation February 2012, RED Scarlet #2332, RED One MX SSD with Allstar A-Mount, RED 18-85 RPZ
    Nikkor AIS primes - with Cine-Still™ upgrades from RP Lens and A-Mount Adapters
    Contax Zeiss - 18/4.0, 25/2.8, 28/2.8, 35/2.8, 50/1.4, 60 Macro/2.8, 85/2.8, 100/3.5, 135/2.8, 180/2.8, 28-85/3.3, 80-200/4.0 - with Cine-Still™ upgrades from RP Lens
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  6. #6  
    Ferenz Kallos
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    Default 08-05-2011, 05:49 AM
    just curious, at 2.1, is the 12mm lens covering the full Epic sensor ?
    I bought a8R Arri, and realized that at 2.8 there is so much vigneting, the upper left side looks grainy and terrible...
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  7. #7  
    Tom Greenberg
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    Default 08-05-2011, 11:38 AM
    Quote Originally Posted by Ferenz Kallos View Post
    just curious, at 2.1, is the 12mm lens covering the full Epic sensor ?
    I bought a8R Arri, and realized that at 2.8 there is so much vigneting, the upper left side looks grainy and terrible...
    I have no idea, Ferenz. I don't have access to an Epic to test it. Maybe someone else can answer...
    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
    REDucation February 2012, RED Scarlet #2332, RED One MX SSD with Allstar A-Mount, RED 18-85 RPZ
    Nikkor AIS primes - with Cine-Still™ upgrades from RP Lens and A-Mount Adapters
    Contax Zeiss - 18/4.0, 25/2.8, 28/2.8, 35/2.8, 50/1.4, 60 Macro/2.8, 85/2.8, 100/3.5, 135/2.8, 180/2.8, 28-85/3.3, 80-200/4.0 - with Cine-Still™ upgrades from RP Lens
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  8. #8  
    Tom Greenberg
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    Default 08-09-2011, 03:05 AM
    SALE PENDING
    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
    REDucation February 2012, RED Scarlet #2332, RED One MX SSD with Allstar A-Mount, RED 18-85 RPZ
    Nikkor AIS primes - with Cine-Still™ upgrades from RP Lens and A-Mount Adapters
    Contax Zeiss - 18/4.0, 25/2.8, 28/2.8, 35/2.8, 50/1.4, 60 Macro/2.8, 85/2.8, 100/3.5, 135/2.8, 180/2.8, 28-85/3.3, 80-200/4.0 - with Cine-Still™ upgrades from RP Lens
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  9. #9  
    Tom Greenberg
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    Default 09-04-2011, 02:01 PM
    SOLD!
    Cinematography & Post-Production Faculty, Compass College of Cinematic Arts, Grand Rapids, MI, USA
    REDucation February 2012, RED Scarlet #2332, RED One MX SSD with Allstar A-Mount, RED 18-85 RPZ
    Nikkor AIS primes - with Cine-Still™ upgrades from RP Lens and A-Mount Adapters
    Contax Zeiss - 18/4.0, 25/2.8, 28/2.8, 35/2.8, 50/1.4, 60 Macro/2.8, 85/2.8, 100/3.5, 135/2.8, 180/2.8, 28-85/3.3, 80-200/4.0 - with Cine-Still™ upgrades from RP Lens
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