BRUCE WEBER and his EPIC

[C.H.Haskell]

This pic is an instant classic...one for the books. Welcome aboard Bruce.

[Sanjin Jukic]

Amazing!!!

And now finally Scarlet-X like a replica of Epic-X becoming affordable digital camera of choice for everyone creative in the field of photography and moving images.

[charles lim yi yong]

the dog is the one directing the pictures. hehe

[Josh Beadle]

Kuato has fur now!?!

[Timur Civan]

one option is to use HDRx in a different way.... one track for normal motion.. the short exposure track for sharp stills.

Jarred, how would you expose for both? Seriously, curious. I'm FASCINATED by the idea of motion stills together.....

[Milan Nikolic]

Congratulations Bruce!

[Jarred Land]

Jarred, how would you expose for both? Seriously, curious. I'm FASCINATED by the idea of motion stills together.....

tons of fashion photographers are doing this now because they usually have such control of lighting conditions. They usually do it by a combination of 2 stop HDRX and rating the camera down in ASA to compliment and just keep an eye the top end of exposure... then pushing the footage a stop at the end. The limitation of dynamic range from going down in ASA doesn't really matter much to them as most medium format cameras that they are used to using have a much lower range than the Epic/Scarlet has, those cameras usually land around 11 or 12 stops ( same as most DSLRs ) so they are used to lighting for that range, and the majority of fashion doesn't involve a ton of contrast to begin with. that way they can get 1/48th shutter for motion with normal motion blur, and get 1/192 worth of freezing shutter action.

[Bob Gundu]

Love it. This is where I'm going....

tons of fashion photographers are doing this now because they usually have such control of lighting conditions. They usually do it by a combination of 2 stop HDRX and rating the camera down in ASA to compliment and just keep an eye the top end of exposure... then pushing the footage a stop at the end. The limitation of dynamic range from going down in ASA doesn't really matter much to them as most medium format cameras that they are used to using have a much lower range than the Epic/Scarlet has, those cameras usually land around 11 or 12 stops ( same as most DSLRs ) so they are used to lighting for that range, and the majority of fashion doesn't involve a ton of contrast to begin with. that way they can get 1/48th shutter for motion with normal motion blur, and get 1/192 worth of freezing shutter action.

[Michael Lindsay]

tons of fashion photographers are doing this now because they usually have such control of lighting conditions. They usually do it by a combination of 2 stop HDRX and rating the camera down in ASA to compliment and just keep an eye the top end of exposure... then pushing the footage a stop at the end. The limitation of dynamic range from going down in ASA doesn't really matter much to them as most medium format cameras that they are used to using have a much lower range than the Epic/Scarlet has, those cameras usually land around 11 or 12 stops ( same as most DSLRs ) so they are used to lighting for that range, and the majority of fashion doesn't involve a ton of contrast to begin with. that way they can get 1/48th shutter for motion with normal motion blur, and get 1/192 worth of freezing shutter action.

thanks for this info!

kind regards

Michael L

[Michael Hastings]

tons of fashion photographers are doing this now because they usually have such control of lighting conditions. They usually do it by a combination of 2 stop HDRX and rating the camera down in ASA to compliment and just keep an eye the top end of exposure... then pushing the footage a stop at the end. The limitation of dynamic range from going down in ASA doesn't really matter much to them as most medium format cameras that they are used to using have a much lower range than the Epic/Scarlet has, those cameras usually land around 11 or 12 stops ( same as most DSLRs ) so they are used to lighting for that range, and the majority of fashion doesn't involve a ton of contrast to begin with. that way they can get 1/48th shutter for motion with normal motion blur, and get 1/192 worth of freezing shutter action.

Just to be clear, you are saying they rate and expose at iso 200? Then use a combination of normal and HDRx for motion and just the HDRx track for the stills?