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  1. #961  
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    Roger!

    Rolled back to release build v3.0.7 but this didn't work - but then tried going well back to v2.0.5 and bingo!!! So back in action

    Thanks Chris

    PS - my shoulders are sore
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  2. #962  
    Senior Member Will Keir's Avatar
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    What's the "best" lens?

    Quote Originally Posted by Jarred Land View Post
    We are starting with the best lenses.. then trickling down to everything else. Whatever name is on the lens makes no difference.
    Will Keir
    Creative Director ~ Jumping Rock Pictures
    Epic X #2482 / R1 #3033

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    The friendships, the adventure, the art."
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  3. #963  
    Senior Member Joseph Hutson's Avatar
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    Quote Originally Posted by Will Keir View Post
    What's the "best" lens?
    Canon 70-200mm f2.8 mii
    CINEPHOTOGRAPHER | Dubai

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    The answer is "No" 100% of the time you don't ask.
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  4. #964  
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    Just a word up. We are still having issues with getting Aperture control when mounting the Canon 600mm. This is the case with both our Epic and Scarlet.

    It's hit and miss whether the control comes up, and we can't work out why the hits happen. I.e. one time you mount it the lens it will come up then the other 20 times you do it won't. Given the size of the lens we are being very careful how it mounts in and ensuring we get a clean connection and hear the clicks.

    If anyone has tips, thoughts or experience with this please let me know.
    cheers
    wes
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  5. #965  
    Senior Member Paul Russell's Avatar
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    Quote Originally Posted by Joseph Hutson View Post
    Canon 70-200mm f2.8 mii
    that and the 85 Prime
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  6. #966  
    Senior Member Kaku Ito's Avatar
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    Kaku Ito

    rawesome! Equipments
    RED Epic-M, RED Epic-x, RED ONE MX x2, RED ONE Mysterium, Allstar A-mount, Epic Canon Ti Mount, 1.8' SSD modules, RED PRO Prime Set (18 through 100mm), various Nikon and Zeiss Lenses, 17-55mm RED Pro Zoom, 18-85mm RED Pro Zoom, x2 RED ROCKET, Mobile Rocket, DaVinci Resolve, Cubix, GTX-285, Quadro 4000, few Mac Pros, few MacBook Pros, Sony BVM-D24, Panasonic 65 inch Series 12 plasma, Calman with Klein probe.

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  7. #967  
    Senior Member Peter Strietmann's Avatar
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    Quote Originally Posted by Paul Russell View Post
    that and the 85 Prime


    And the 24mm 1.4
    A Peter Strietmann
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  8. #968  
    Member Alexandros Tsoupras's Avatar
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    Quote Originally Posted by Peter Strietmann View Post
    And the 24mm 1.4
    And the 14mm mkii 2.8 Prime
    Last edited by Alexandros Tsoupras; 05-24-2012 at 12:11 PM.
    EPIC-X #02027 "Faith"
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  9. #969  
    Senior Member KETCH ROSSi's Avatar
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    Quote Originally Posted by Will Keir View Post
    What's the "best" lens?

    Even so Zooms, well, some of them at list, like the case of the latest edition of the Canon EF 70-200mm f/2.8L IS, the primes will always be the Best.

    So if you are looking at which is the best lens, as in which one has the best image quality, then always look at Primes never at Zooms, if looking at which lens is the most versatile and best for a specific type of work, then look at Zooms, but the Canon EF 24-70mm f/2.8L will actually be the best zoom, also the most used and versatile zoom in the entire Canon line up ever, just wait for the V2 to come out... You'll agree... ;)


    The 24-70 is not just about what it gives as far as focal, but the particular look it gives, a unique lens on its own.
    KETCH ROSSi | EPIC-M DRAGON M8
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  10. #970  
    Senior Member Kaku Ito's Avatar
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    Among all of the disadvantage of this lens (push pull zooming, f stop change), has anyone find it useful with Epic for extreme sports and live music performance shooting?

    http://www.usa.canon.com/cusa/consum..._5_5_6l_is_usm
    Kaku Ito

    rawesome! Equipments
    RED Epic-M, RED Epic-x, RED ONE MX x2, RED ONE Mysterium, Allstar A-mount, Epic Canon Ti Mount, 1.8' SSD modules, RED PRO Prime Set (18 through 100mm), various Nikon and Zeiss Lenses, 17-55mm RED Pro Zoom, 18-85mm RED Pro Zoom, x2 RED ROCKET, Mobile Rocket, DaVinci Resolve, Cubix, GTX-285, Quadro 4000, few Mac Pros, few MacBook Pros, Sony BVM-D24, Panasonic 65 inch Series 12 plasma, Calman with Klein probe.

    Rawesome! One Stop RAW Visual Production Service
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