Thread: HDRx in 3K mode?

Reply to Thread
Page 1 of 3 123 LastLast
Results 1 to 10 of 21
  1. #1 HDRx in 3K mode? 
    Banned
    Join Date
    Jul 2011
    Location
    Portugal / UK
    Posts
    299
    I assumed that we could use HDRx at 3K?

    The Scarlet spec sheet only mentions HDRx in 5k and 4k mode (6fps and 12 fps respectively).... Can anyone confirm?
    Reply With Quote  
     

  2. #2  
    Senior Member Lliam Worthington's Avatar
    Join Date
    Sep 2011
    Location
    Copacabana, Australia
    Posts
    867
    I assumed exactly that as well. Otherwise it's pretty much just a stills feature?
    Reply With Quote  
     

  3. #3  
    Banned
    Join Date
    Jul 2011
    Location
    Portugal / UK
    Posts
    299
    Here is how it is worded:

    " 13.5 stops, up to 18 stops with HDRx™ 6 fps with 5K FF and HDRx On 12 fps with 4K HD and HDRx™ On"

    http://www.red.com/products/scarlet
    Reply With Quote  
     

  4. #4  
    Senior Member
    Join Date
    Mar 2009
    Location
    Kolkata, India
    Posts
    1,233


    This chart will answer all your questions. HDRx is there across the board but it can only muster up 25 fps at 3K. That is now, anyway. In the future there should be a firmware upgrade with modified compression that will enable 24/25 fps HDRx at 4K.
    Reply With Quote  
     

  5. #5  
    Junior Member
    Join Date
    May 2011
    Posts
    27


    As per above: HDRx Max @3K is 25fps.
    Reply With Quote  
     

  6. #6  
    Banned
    Join Date
    Jul 2011
    Location
    Portugal / UK
    Posts
    299
    Sweet.... thanks mate
    Reply With Quote  
     

  7. #7  
    Senior Member Nick Wernham's Avatar
    Join Date
    Oct 2011
    Location
    Toronto, ON
    Posts
    301
    It seems like the basic strategy for motion with the Scarlet-X will be to shoot at 4k whenever you do not need slow motion or HDRx and then drop down to 3k whenever you need to use one of those things. That should be more than fine as long as you're going out to 2k. The Scarlet-X really seems like a 2k output A-camera/4k output B-camera (for coverage where HDRx and slow motion are not needed) that can also shoot stills on the same level as Epic.

    I suppose for work where you are totally confident that you will not make use of slow motion or HDRx it works fine as a 4k-output A-camera as well. You could also opt to use it as the workhorse A-camera on a project that goes out to 4k, but rent an Epic for the few days where you need slow motion or HDRx for certain shots.

    Am I misunderstanding anything?
    C.E.O. of Wernham Entertainment Inc.
    Current Project(s):
    "Business Ethics" [Completed Short]
    "Public Service" [Short in Post]
    "No Stranger Than Love" [Feature in Pre-production]

    Co-Owner of Epic-X #3805 "Hentgen" & Scarlet-X #557 "Stieb"
    Reply With Quote  
     

  8. #8  
    Senior Member Jesper Sichlau's Avatar
    Join Date
    Sep 2008
    Location
    Copenhagen
    Posts
    798
    It might be debayered at 3.2K, but I'm sure it will still look gorgeous projected at 4K.
    Reply With Quote  
     

  9. #9  
    Senior Member
    Join Date
    Dec 2010
    Location
    Toronto
    Posts
    1,368
    I thought I read a post where Jarred said they're working towards having 24/25fps HDRx at lower data rates (or higher compression ratio) in a future Scarlet firmware. Honestly, I don't think you'll be able to tell much of a difference when going between "low data rate 4k" and "high data rate 4k (of epic)" when you finish to 1080p (blu-ray or whatever.) At least, it wouldn't be as noticeable as the +6 stops of highlight protection via HDRx.
    Reply With Quote  
     

  10. #10  
    Quote Originally Posted by Nick Wernham View Post
    It seems like the basic strategy for motion with the Scarlet-X will be to shoot at 4k whenever you do not need slow motion or HDRx and then drop down to 3k whenever you need to use one of those things. That should be more than fine as long as you're going out to 2k. The Scarlet-X really seems like a 2k output A-camera/4k output B-camera (for coverage where HDRx and slow motion are not needed) that can also shoot stills on the same level as Epic.

    I suppose for work where you are totally confident that you will not make use of slow motion or HDRx it works fine as a 4k-output A-camera as well. You could also opt to use it as the workhorse A-camera on a project that goes out to 4k, but rent an Epic for the few days where you need slow motion or HDRx for certain shots.

    Am I misunderstanding anything?
    Not at all sir. Very clear thinking IMHO.
    Reply With Quote  
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts