If we originate in RED RAW it is wavelet compressed unnoticeably and we can derive HD 1080 720 even 4.4.4. color? Will this look better rendered out in RED Cine than if we just recorded HD on the mag?
If we put out straight 1080 or 720 RGB we can send this with the field producer, on drives by direct transfer fm the mag. It can be played on any client editing system that recognizes quicktime files. What is the compression on these files? How will they compare with high end HD cameras such as F900 Sony and Panasonic Varicam?