A film I shot for a local 48 hour Film Fest back in September.
Shot on RED One (original sensor) @ iso800, RPZ 18-85. Lit with Small Arri light kit/practicals/daylight.
Edited offline in FCP7, graded r3ds in Davinci Resolve Lite on a MacPro with RedRocket, exported to ProRes 4444 1080p and reconformed in FCP7, saved a .mov and delivered on hard drive 10 minutes before the deadline.
Everyone said we were crazy for shooting RED on a 48h challenge hehe. I just had to smile and tell them it was a non-issue.
