I like RED. I have produced TV shows, TV commercials and a feature film using the RED ONE. I have never had an issue with the cameras, despite the climate conditions, dust and long hours, the RED ONE always performed great.
My movie Cartas a Elena will open in Mexico shortly and after previewing the 35mm copy I was amazed by the quality.
Like many other users, I was following the Scarlet as a good option for television. A true HDSLR killer.
The 4k Scarlet is a great product. I’m sure I’ll rent this camera or the R1 on my next project, buy I was very interested in buying a 3K Scarlet with fixed lens for +- $ 7,000.
As many have posted, a $14 K Scarlet plus accessories is a $20 K Scarlet.
Why not continue with the Scarlet 3K, and serve the +- $7K market?
Call it the Scarlet mini, or Scarlet 2/3.
This will not cannibalize the Scarlet X or Epic market.
It will be a great alternative to the AF100 or F3 market.
I'm sure most of the R&D is already paid for.
How many here would like to see this program resurrected?