Thread: NATURAL HISTORY CINEMATOGRAPHY

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  1. #91  
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    I agree 19mm bars, we use a x or ET base plates. Remember Epic needs raised up 11.8mm to align lens centre correctly. Stainless or good carbon bars work fine.

    If the bars are very long with a heavy lens you may also need an extended wedge plate which the front of the bars can rest to provide additional support.

    We have a small 19mm to 1/4 20 lens support on to which the lens is supported on to the bars.
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  2. #92  
    Quote Originally Posted by Dave Blackham View Post
    I agree 19mm bars, we use a x or ET base plates. Remember Epic needs raised up 11.8mm to align lens centre correctly. Stainless or good carbon bars work fine.
    .
    True, though that's only for cine stuff like matte boxes etc that are a standard height, not relevant for stills lenses which have randomly-sized tripod feet - it's just suck it and see! Easy to make spacers though.
    Good idea about the extra support but I reckon you're talking about seriously heavy lenses like the Optimos, the Sigma is a relatively reasonable (by cine standards) 5kg or so.
    Steve
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  3. #93  
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    Quote Originally Posted by Steve Phillipps View Post
    True, though that's only for cine stuff like matte boxes etc that are a standard height, not relevant for stills lenses which have randomly-sized tripod feet - it's just suck it and see! Easy to make spacers though.
    Good idea about the extra support but I reckon you're talking about seriously heavy lenses like the Optimos, the Sigma is a relatively reasonable (by cine standards) 5kg or so.
    Steve
    True, you may not need a riser plate but its awkward if you don't have one at times. They are easy to make if needed. The Sigma should be fine with just a good set of bars but something like a large telephoto lens may need additional support. Well over half our work is for Wildlife work and we use as lightweight as possible but sometimes the additional plate is essential.
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  4. #94  
    Hi Steve and Dave, I just wanted to thank you for your advise. I went a slightly different way in the end for my 300-800mm Sigma. I am using Really Right Stuff rails based on a recommendation from Isaac Babcock. It does require some modification. I will post the rig as soon as those modifications are complete.
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  5. #95  
    Senior Member Pawel Achtel's Avatar
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    sent to me by a fellow wildlife film maker: I'm sure it looks familiar to some of you :)

    Attached Images
    Pawel Achtel B.Eng(Hons) M.Sc
    www.achtel.com
    Sharp to the Edge

    Land and Underwater Cinematography, Production and Equipment | DeepX - the world's only 5k underwater housing for RED Epic and Scarlet | 3Deep - the ultimate 3D underwater housing - available in US and Europe from Band Pro
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  6. #96  
    That was fantastic, I aspire to achieve this quality!
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  7. #97 Sigma 300-800mm mount 
    I just wanted to share my final rig for the Sigma 300-800mm. I ended up going with Really Right Stuff rail system thanks to a recommendation from Isaac Babcock.
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  8. #98  
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    Looks really good. Thanks for sharing this.
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  9. #99  
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    Hi Joe,
    Can you list down all the parts for the system and if possible links please.
    Sabyasachi
    Be the Voice of the Voiceless Wildlife
    www.indiawilds.com/diary | Leopards: The Last Stand: http://www.youtube.com/watch?v=n-Yc5VNUN-o
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  10. #100  
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    RAK-Tree of Life 42 mins film.

    A natural history film shot 95% on RED and 5% on HD

    Shot predominantly with a RED One and Sigma 50-500 and Nikon 17-35.

    http://www.youtube.com/watch?v=OtRrteUAr0M&feature=plcp

    Yusuf Thakur
    VFX,Dubai
    www.vfxme.com
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