Thread: Differences between Scarlet, Red One and Epic: Tech Specs Side by Side Chart

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  1. #1 Differences Between Scarlet, Red One and Epic: Tech Specs Side by Side Chart. 
    Senior Member Christian Munoz D's Avatar
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    I have seen many questions about the differences between the Red cameras. I thought I will take the time to copy and paste the info directly from Red.com in here, so newcomers have the chance to see the difference between each camera side by side.


    Differences Between Scarlet, Red One and Epic: Tech Specs Side by Side Chart
    EPIC-X and EPIC-M
    RED ONE-MX
    SCARLET-X
    SENSOR
    14 MEGAPIXEL MYSTERIUM-X™
    14 MEGAPIXEL MYSTERIUM-X™ 14 MEGAPIXEL MYSTERIUM-X™
    PIXEL ARRAY 5120 (h) x 2700 (v) 5120 (h) x 2700 (v) 5120 (h) x 2700 (v)
    S/N RATIO 66db 66db
    DYNAMIC RANGE 13.5 stops, up to 18 stops with HDRx™ 13+ stops 13.5 stops, up to 18 stops with HDRx™ 6 fps with 5K FF and HDRx On 12 fps with 4K HD and HDRx™ On
    MAX IMAGE AREA 5120 (h) x 2700 (v) 4480 (h) x 2304 (v) 5120 (h) x 2700 (v)
    LENS COVERAGE 27.7mm (h) x 14.6mm (v) x 31.4 mm (d) 24.2mm (h) x 12.5mm (v) x 27.3 mm (d) 27.7mm (h) x 14.6mm (v) = 31.4 mm (d)
    LENS MOUNT PL (Canon mount opcional) PL (Nikon mount opcional) Al Canon EF (PL mount optional)
    DEPTH OF FIELD Equivalent to S35mm (Motion) / APS-H (Still) lenses
    Equivalent to 16mm (Motion) lens in 2K RAW
    Equivalent to S35mm (Motion) lens
    Equivalent to 16mm (Motion) lens in 2K RAW
    Equivalent to S35mm (Motion) / APS-H (Still) lenses
    ACQUISITION FORMATS 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
    4.5K RAW (2.4:1)
    4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
    3K RAW (16:9, 2:1 and Anamorphic 2:1)
    2K RAW (16:9, 2:1 and Anamorphic 2:1)
    1080p RGB (16:9)
    720p RGB (16:9)
    4.5K RAW (2.4:1)
    4K RAW (16:9, HD, 2:1, and Anamorphic 2:1)
    3K RAW (16:9, 2:1, and Anamorphic 2:1)
    2K RAW (16:9, 2:1, and Anamorphic 2:1)
    5K FF REDCODE RAW (Full Frame)
    4K HD REDCODE RAW
    3K HD REDCODE RAW
    1080p REDCODE RAW
    1K REDCODE RAW
    PROJECT FRAME RATES 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions 23.98, 24, 25, 29.97 fps @ 4.5K, 4K
    plus 50, 59.94fps @ 3K, 2K
    23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97
    DELIVERY FORMATS* 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
    2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
    1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
    Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
    4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
    2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
    1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
    Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
    4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
    2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
    1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
    Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
    PROGRAM OUTPUT HD-SDI Clean Feed
    2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2
    SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio


    MONITOR OUTPUT HD-SDI and HDMI with Frame Guides and Look Around
    2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2
    SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
    HD-SDI and HDMI with Frame Guides and Look Around
    720p RGB or 4:2:2
    SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
    HD-SDI and HDMI with Frame Guides and Look Around or Clean Feed 1080p 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
    DIGITAL MEDIA REDMAG (SSD) Module : (64, 128, 256GB Media) REDFLASH (CF) Module : (16GB Media)
    RED SSD™ (64GB, 128GB, 256GB Capacity)
    REDMAG (SSD) Module : (64, 128, 256GB Media)
    REDCODE™ 12 and 16-bit RAW : Compression choices of 18:1 to 3:1
    1-120 fps 5K, 4.5K
    1-150 fps 4K
    1-200 fps 3K
    1-300 fps 2K
    12-bit RAW : RC28, 36, 42 Quality Levels
    1-30 fps 4.5K, 4K
    1-60 fps 3K
    1-120 fps 2K
    16-bit RAW Processing : Compression choices of 18:1 to 3:1
    1-12 fps 5K FF
    1-30 fps 4K HD
    1-48 fps 3K HD
    1-60 fps 1080p HD
    1-120 fps 1K
    AUDIO 2 channel, uncompressed, 24 bit, 48KHz.
    Optional 4 channel, and AES / EBU digital audio.
    4 channel, uncompressed, 24 bit, 48KHz. 2 channel, uncompressed, 24 bit, 48KHz.
    Optional 4 channel, and AES / EBU digital audio.
    MONITORING OPTIONS RED LCD 5" Touchscreen Display
    BOMB EVF™ High Definition Viewfinder
    RED LCD 5" Flat Panel Display
    RED PRO LCD 7" Flat Panel Display
    BOMB EVF™ High Definition Viewfinder
    RED LCD 5" Touchscreen Display
    BOMB EVF™ High Definition Viewfinder
    REMOTE CONTROL Wireless, Ethernet, RS232, GPI Trigger USB-2, GPI Trigger REDLINK Wireless, Ethernet, RS232, GPI Trigger
    WEIGHT 5lbs. Body only 10lbs. Body 5lbs. Body only
    CONSTRUCTION Aluminum Alloy Aluminum Alloy Aluminum Alloy
    COLOR Black Black Battleship Gray Brain Body, Black Canon Mount and Side SSD, All DSMC Modules Black
    TEMPERATURE RANGES Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
    Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)
    Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
    Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)
    Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
    Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)
    * FROM REDCINE-X

    Source: http://www.red.com/products
    Christian Muñoz-Donoso

    Equilibrio Films, LLC
    cmunoz at equilibriofilms dot com
    Studio: +1 646-397-9498
    Massachusetts, USA


    www.ChristianMunozDonoso.com
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  2. #2  
    Senior Member PatrickFaith's Avatar
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    sweet
    http://www.youtube.com/patrickfaithart
    "Litl" #250 "Pudl" #397 of "Ink" (Monochrome) #3752
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  3. #3  
    Senior Member D Fuller's Avatar
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    Can some mod make this a sticky?
    It'll improve the signal to noise around here.
    David Fuller
    AirStream Pictures
    Portland, ME; Boston, MA
    EPIC-M #1053
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  4. #4  
    Senior Member Todd Jones's Avatar
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    Nice work!
    www.tgrstudios.com
    www.tetongravity.com

    Check out the first RED 3D ski shoot
    www.TGR3D.com
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  5. #5  
    Very useful, thank you.
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  6. #6  
    Senior Member Jack Shanahan's Avatar
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    No 2:1 on Scarlet X?
    Jack Shanahan
    www.jackshanahan.com
    EPIC DRAGON
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  7. #7  
    Senior Member jimhare's Avatar
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    If you amend the chart consider adding the RedDrive to the MX. I know it's not available new but plays a massive role in the second hand market.
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  8. #8  
    Senior Member Christian Munoz D's Avatar
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    Quote Originally Posted by jimhare View Post
    If you amend the chart consider adding the RedDrive to the MX. I know it's not available new but plays a massive role in the second hand market.
    I thought about that, but since I just post "official info" on the chart and Red Co. want get rid of it I didn't include it.... maybe I can include it with a note or something.
    Christian Muñoz-Donoso

    Equilibrio Films, LLC
    cmunoz at equilibriofilms dot com
    Studio: +1 646-397-9498
    Massachusetts, USA


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    www.EquilibrioFilms.com
    www.WildViewSeries.org
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  9. #9  
    Senior Member Kwan Khan's Avatar
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    +1 Sweet
    Rent 5K for $500/day - NYC (Times Square)

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  10. #10  
    Senior Member John Galeano's Avatar
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    Awsome post.. thanks!
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