Been looking for info on this but nothing yet. I´ve done a couple of film out (actually just sent the 1080 tiff sequence and Efilm did all the work on an Arrilaser machine). The footage was from a Varicam and it looked very nice projected on the big screen. Now this is the first test I´m going to do as soon as my Red arrive. A filmout from a short 4K material. But I´m a little bit confused about how I´m going to handle the 4K data. Tell me if I´m right.
1) Shoot 4k Redcode Raw.
2) Offline at 480p.
3) Online at 4K, encode to Tiff, DPX or similar and color correct.
4) How am I going to test and monitor the color corrected Tiff, DPX or similar at 4K ?.
At IBC 2005 I attended the Arri digital show and saw film footage scanned at 4K. It was far better than 2K scans and open up a whole new world in zooming capabilities for reframing and still being a better image than 2K.
Best regard to you all