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  1. #51  
    Hello
    Is there any duration of the portrait?
    Ricardo Moreno
    Director / DP
    www.silverculture.net
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  2. #52  
    Senior Member Bob Gundu's Avatar
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    4 minutes.

    PARTICIPANT RULES:

    Content captured on a RED One, EPIC, or Scarlet cameras
    Edited on Adobe Premiere Pro (submission must include your Premiere Pro project file)
    Maximum length of 4 minutes including credits (submissions over 4 minutes will not be considered)
    No dialogue or sync sound
    Submissions should exemplify the impact of 4K imagery and support Reduser Party event theme “THE WORLD [IN 4K]”
    Cleared music track can be included as sound source
    Content should be for suitable for all-ages viewing



    Quote Originally Posted by Ricardo Moreno View Post
    Hello
    Is there any duration of the portrait?
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  3. #53  
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    Quote Originally Posted by Ivan Kovax View Post
    Congrats Sergio!

    I believe you can do whatever you want to it in Davinci, Pablo etc. as long as the edit is done in premiere pro (and rendered from there too).
    Hehe thanks Ivan! Would be great to have it when you get here! Lots of questions for you, for sure :)
    Sérgio Perez

    EPIC-X 2029 "Lilau" in Macau!

    Video Director/Creative/Producer


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  4. #54  
    Senior Member Nick Wernham's Avatar
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    This looks fantastic. I have tons of prep work to do for my first feature, but hopefully I can get something completed in time to enter it into this as well.
    C.E.O. of Wernham Entertainment Inc.
    Current Project(s):
    "Business Ethics" [Completed Short]
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    Co-Owner of Epic-X #3805 "Hentgen" & Scarlet-X #557 "Stieb"
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  5. #55  
    Senior Member Rob Macey's Avatar
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    I'm in!
    Rob Macey, SOC
    DP - ICG, 600
    Epic-X #3936, F900, F3, HDX-900, 5D3

    www.nothingfilms.com
    @nothingfilms
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  6. #56  
    Senior Member Josh Beadle's Avatar
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    What are the specific usage rights to RED beyond the showing at the NAB competition?
    Josh
    Epic-M 1388 aka "Black Sheep"
    ATV FamFun

    It's not your camera's fault:
    http://www.youtube.com/watch?v=jJm2EGNIod0&feature=related
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  7. #57  
    Senior Member Robert L. Mickles's Avatar
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    I'm in! (As long as my Scarlet gets here soon, that is!) Very excited about this one, conjuring up ideas with my crew now!
    Robert L. Mickles
    Cinematographer, Director, Editor | 360 Digital Studios, LLC | http://www.360DigitalStudios.com
    Scarlet-X #2133 "Cupid".
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  8. #58  
    Senior Member Jeffrey T. Morgan's Avatar
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    Quote Originally Posted by Josh Beadle View Post
    What are the specific usage rights to RED beyond the showing at the NAB competition?

    i don't know what the "rules" will be for this event, but it seems smartest to have all rights clear so that if you win, or at least make something decent, it can be shown more broadly then private links. There are a number of ways to get decent music for free.
    Jeffrey T. Morgan
    Producer • Director • Cinematographer (Local 600) • Editor
    www.PrometheusMotionPictures.com . . . Twitter: (at) JeffreyTMorgan

    SCARLET-X #1633 "The Dark Knight", Now booking Michigan and Worldwide
    Canon and PL Mount, 5" Touch LCD, RedRock FF and Mattebox, Cartoni Delta Head, Contax Zeiss lenses and much more
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  9. #59  
    Senior Member Christopher Barrett's Avatar
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    I get a lot of stuff from here. 40 bucks a track is tough to beat.

    So I assume "No dialogue" also prohibits a voiceover, then?
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  10. #60  
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    Similarly any titles or printed word based ideas or messages alowed?

    It seems unlikely I will be able to submit anything worthy in time, but I’m guessing the ‘portrait” idea might also explore the DCSMC concept and to blur the line between stills and motion, and Adobe Premiere being the glue to make that all happen.

    Random thoughts:

    Given that we are all 4k now I keep wracking my brains for accessible subjects that really need that high res 4k rendering and texture to tell an interesting visual story that doesn’t look like a TV advertisement or a welcome to New Mexico “pitch” that you might see on screens at the airport.

    I am reminded of La Jetee (Cine-roman) by Chris Marker as to the power of stills to tell a cinematic story hence the DSMC concept, and secretly hoping that something shot on scarlet_X will win.

    I am (slightly) wary that the wining entrant might look a lot like Clint Eastwood “half time” piece during the superbowl as a sort of “portrait” of a nation.

    The “occupy” movement might be good subject…

    The opportunity to tell a purely visual story is indeed a golden one.

    Time to think outside the box.. waaaaay outside the box.

    E
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