Am I the only one that misses the quicktime proxies from the Redone workflow on their EPIC/SCARLET?
Please REd, I know this might not be a priority, but I find it a gigantic draw back on the EPIC workflow.
I have used the final cut proxy editing to Color r3d final output intensively. And I think it is a great workjfloow. I saves tones and tones of not only GB and $ for not creating offlines and I was able to open independent proxies without having to open Red cine.
Don't get me wrong, I think RedcineX is great, but it is so difficult to even do a 1 light grade since I don't even have an output to my Matrox so grading is very difficult. Not to mention the gamma issues from quicktime.
I find that with the EPIC we got an incredible improvement in camera hardware and image, but a terrible workflow loss. I know FCP 7 and Color are going dead, but thousands of people still use them and even if I moved into premier, I know still a lot of my clients will edit in FCP.
Please bring back the quicktime proxies.