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  1. #11  
    Senior Member Sanjin Jukic's Avatar
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    Quote Originally Posted by NormLi View Post
    It looks more like 28-76 since it doesn't have the red rings. ?
    You can make a custom order in red, black or blue rings with both Angenieux digital zoom lenses Optimo range as 30-80, 16-42.
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan


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  2. #12  
    Quote Originally Posted by Demetri Zuev View Post
    Niiice!

    Evin, can you share the final list of lenses that got into the test as a teaser?
    Cinema PL Reference
    11-16mm Duc/Tokina
    16-42 T2.8 Optimo DP
    30-80 T2.8 Optimo DP

    Canon EF
    16-35mm L 2.8 II
    24-70mm L 2.8
    70-200mm 2.8 II
    24mm 1.4 L II
    35mm 1.4 L
    50mm 1.2 L
    85mm 1.2 L II

    Leica R
    19mm f2.8
    24mm f2.8
    28mm f2.8
    35mm f2
    50mm f2
    90mm f2

    Nikon G
    14-24mm f2.8
    24-70mm f2.8
    70-200mm f2.8 VR II
    24mm f1.4
    35mm f1.4
    50mm f1.4
    85mm f1.4

    Zeiss ZF/ZE
    20mm f2.8
    24mm f2
    28mm f2
    35mm f2
    50mm f1.4
    85mm f1.4
    "All art is deception."

    My DP reel...
    http://www.evingrantdp.com
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  3. #13  
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    addaboy!
    Regards,
    Paul Engstrom

    RAW CAMERA CO.
    boutique Epic rental, on/near set & post-production service, elite training

    Optimally Accessorized Epic Camera packages for movie, television and commercial productions
    Arri Master Primes, Arri Ultra Primes,
    Fujinon Cabrio Zooms, Angenieux Optimo Zooms, Arri Alura Zooms
    Arri MBs, Bright Tangerine MBs, Arri FF4s, Preston FIZ, Oconnor 2575s + everything you need
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  4. #14  
    Senior Member Sanjin Jukic's Avatar
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    Quote Originally Posted by Evin Grant View Post
    Cinema PL Reference
    11-16mm Duc/Tokina
    16-42 T2.8 Optimo DP
    30-80 T2.8 Optimo DP

    Canon EF
    16-35mm L 2.8 II
    24-70mm L 2.8
    70-200mm 2.8 II
    24mm 1.4 L II
    35mm 1.4 L
    50mm 1.2 L
    85mm 1.2 L II

    Leica R
    19mm f2.8
    24mm f2.8
    28mm f2.8
    35mm f2
    50mm f2
    90mm f2

    Nikon G
    14-24mm f2.8
    24-70mm f2.8
    70-200mm f2.8 VR II
    24mm f1.4
    35mm f1.4
    50mm f1.4
    85mm f1.4

    Zeiss ZF/ZE
    20mm f2.8
    24mm f2
    28mm f2
    35mm f2
    50mm f1.4
    85mm f1.4
    Impressive!!!

    I'm sure that Nikon G beats Canon EF, than Leica beats a both of them optically and at the end Angenieux Optimos beat all of them together mechanically just because they are a real cine lenses (zooms).
    "There is no point in having sharp images when you've fuzzy ideas."
    Jean-Luc Godard.

    Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor.
    Thom Hogan


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  5. #15  
    Senior Member Jeff Kieffer's Avatar
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    Nice line up! Can't wait to see the results!
    Jeff Kieffer
    RED MX - 2450
    EPIC-X - 720

    jeffkieffer.com
    Black Sessions Films
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  6. #16  
    I can't wait to see the images from these babies...

    24mm f1.4
    35mm f1.4
    50mm f1.4
    85mm f1.4
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  7. #17  
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    Awesome work - can't wait to see the results
    Mark Whatmore
    www.yohomedia.co.uk
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  8. #18  
    Senior Member D Fuller's Avatar
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    Quote Originally Posted by Evin Grant View Post

    Testing is done, results to come...
    Thank you so much for doing this.
    David Fuller
    AirStream Pictures
    RED ONE #172MX
    EPIC-M #1053
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  9. #19  
    Senior Member Kemalettin Sert's Avatar
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  10. #20  
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    Thanks Matt D and Evin - That was a good day and we accomplished a huge amount of testing.

    Here's what we did:

    Matt Duclos Projected each lens on the Duclos lens projector - looked at distortion, center and edge resolution, contrast and for presence of CA we also had a look at
    the lenses mechanics, for image shift, zoom tracking, and backlash in the focus mechanism.

    Evin shot each lens in a similar frame of a model at f2.8 in open shade. We varied the distance as appropriate for each focal length.

    I shot an interior shot at 5000k, there are a variety of mid ground objects, some background objects the usual xmas lights, and a foreground expanded metal grill.
    After shooting a few seconds of the mid ground we racked front to back, then did a flare test by moving a bare lightbulb on a bamboo pole around in the frame. Lenses were shot wide open and at 2.8.

    We did our best when possible to make direct comparisons between lenses of a particular focal length.... Not changing camera position or lighting between lens changes. The shutter was used instead of ND to vary exposure for different stops.

    Jarred loaned us a prototype Red Nikon mount which worked great and has the same tensioning ring that the EF mount has. Nice guy, nice Piece of gear.

    Matt Uhry
    www.mattuhry.com

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