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Cinema PL Reference
11-16mm Duc/Tokina
16-42 T2.8 Optimo DP
30-80 T2.8 Optimo DP
Canon EF
16-35mm L 2.8 II
24-70mm L 2.8
70-200mm 2.8 II
24mm 1.4 L II
35mm 1.4 L
50mm 1.2 L
85mm 1.2 L II
Leica R
19mm f2.8
24mm f2.8
28mm f2.8
35mm f2
50mm f2
90mm f2
Nikon G
14-24mm f2.8
24-70mm f2.8
70-200mm f2.8 VR II
24mm f1.4
35mm f1.4
50mm f1.4
85mm f1.4
Zeiss ZF/ZE
20mm f2.8
24mm f2
28mm f2
35mm f2
50mm f1.4
85mm f1.4
addaboy!


Nice line up! Can't wait to see the results!
I can't wait to see the images from these babies...
24mm f1.4
35mm f1.4
50mm f1.4
85mm f1.4
Awesome work - can't wait to see the results
Thanks Matt D and Evin - That was a good day and we accomplished a huge amount of testing.
Here's what we did:
Matt Duclos Projected each lens on the Duclos lens projector - looked at distortion, center and edge resolution, contrast and for presence of CA we also had a look at
the lenses mechanics, for image shift, zoom tracking, and backlash in the focus mechanism.
Evin shot each lens in a similar frame of a model at f2.8 in open shade. We varied the distance as appropriate for each focal length.
I shot an interior shot at 5000k, there are a variety of mid ground objects, some background objects the usual xmas lights, and a foreground expanded metal grill.
After shooting a few seconds of the mid ground we racked front to back, then did a flare test by moving a bare lightbulb on a bamboo pole around in the frame. Lenses were shot wide open and at 2.8.
We did our best when possible to make direct comparisons between lenses of a particular focal length.... Not changing camera position or lighting between lens changes. The shutter was used instead of ND to vary exposure for different stops.
Jarred loaned us a prototype Red Nikon mount which worked great and has the same tensioning ring that the EF mount has. Nice guy, nice Piece of gear.
Matt Uhry
www.mattuhry.com
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