Big fan of Peter Suschitzky's work with tilt shift lenses on A Dangerous Method to keep both characters sharp in shots in depth. The most obvious example is during the psychoanalysis scenes where Jung sits behind the patient and we are looking back at them both.
Anyone know what he used for this? I imagine if you were going to adopt this as such a common motif in a feature you would get a tilt-shift adaptor for use with your regular prime set, although I've never used something like this. Or do you think he had specific tilt-shift primes in his package that he would put on for those shots?