I`m currently doing some tests for an upcoming RED project I`m working in post on. I have using been some test r3d`s with accompanying dual system audio, and I am running into an issue when it come time to sync the audio .WAV`s with my QT proxy files.
Usually, when I`ve been assistant editor on DSLR shoots I`ve just used Pluraleyes in Final Cut Pro 7 to sync the audio and then batch exported the newly synced to self contained QT`s for the editor to work with, as they were only shooting one camera and didn`t require timecode.
But in my tests I`ve found that this does not work for RED, as the self contained synced QT`s do not retain any timecode/reel information from RedCineX Pro, which would be needed for final conforming through a EDL coming out of Final Cut.
What would be a better way to go about this, that would retain the timecode information, without having the editors work with tons of merged clips?