Image difference betw. #<100-nonX and #414?

[Øystein Mamen, FNF]

Hi Kenn,
which of the slow-working graphic cards DID you use? BTW, thank you very much for posting the times!

[Mark Crabtree]

Sure, if you think you are going to shoot a one hour show redcode raw and output a master the next day you are wrong. But if you want to shoot a TV spot and dub out the next day, that's easy. You just edit with the proxy quicktimes then render using redcine the 30 seconds you need for the final product. A couple of hours render at most. I have a spot running right now that the client is thrilled about. We wrapped the shoot at 10pm and had dubs to the stations by 3pm the next day. For features and spots this camera is cream. For shows, you'll need more computers and people, or more time. But even this will change as things progress.

[Columbus]

I don't see why shooting on red should be slower than shooting on hdcam.
Red camera process.
Shoot
Edit with offline proxies straight away
Edl goes to scratch, conform and grade, output to tape.
no waiting to digitize tapes for offline and no waiting again to digitize tapes for online conform. pretty simple really when compared to tape.

[Kenn Michael]

Hi Kenn,
which of the slow-working graphic cards DID you use? BTW, thank you very much for posting the times!

Stock card with the new Mac Pros - ATI2600

[Øystein Mamen, FNF]

Thank you for replying. Good to know.