I was hearing right, but I guess that depends which way you have your headphones on ;)
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I was hearing right, but I guess that depends which way you have your headphones on ;)
Do you need a specific 3.5mm cable? I know you do when using a 3.5mm to xlr.
It's so funny I was actually considering doing this for a gig where the client wanted an on-board scratch into camera. Glad to see it works! I was already planning on testing this tomorrow before I saw this post.![]()
Scarlet and a ZoomH4n... a match made in heaven.....
I used to do this with my Red One and Tascam DR 100. Totally works. Good on the Epic too. The recorder basically becomes a mixer, allows phantom power and captures an easily synched higher bitrate recording.
I just did the same thing with a Tascam DR-40 (4 track). I was able to mount it to my EPIC via 1/4" bolt on a Wooden Nickel cheese plate handle and still do handheld work with a boom plugged in.
The Tascam "should" be better than then EPIC feed from the Tascam headphone jack. I set the Tascam to 24 Bit wav files. I was also able to record a second track at -12DB on the Tascam to hold any audio that peaked the first track. I bought the thing for $150. It's a damn amazing recorder for that.
But, at first listen the EPIC audio sounds really good.
Would this workflow be improved if you added the Sound Devices Mix Pre? A bit more bulk, but you'd get the SD's fantastic pre-amps and added headroom. Thoughts?
Nick, I was wondering the same thing. It seems thought the only recorder that allows you to do that is the Tascam DR100MK2. BH did an in depth review and you can verify for yourself. http://www.bhphotovideo.com/indepth/...arkedly-better
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