So we shot an entire feature doc at a variety of different frame-rates on Red Epic and Scarlet. We were run n' gun so didn't have time to resync and slate. We were recording dual system. Now our producer wants to see all these clips in 23.976 FPS rather than 96 or 120. So basically no slow motion. Now our audio guy was recording but the timecode is so far off base that I have been laying out every segment of the shoot in a sequence in Premiere Pro, interpreting the footage in batches ( telling premiere to assume that a clips frame rate is what it was recorded at ) , and matching the audio to each clip..........Its so time consuming and tedious. Luckily its not airing till September so there is still time.
My hope is that I can export each audio clip to its corresponding video partner and attach it in Red Cine X. Is this the proper workflow? Any advice or anything? Kinda at my wits end....
